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2,436 stories by "Michael Billington"

A Midsummer Night's Dream " review by Michael Billington

Lyric Hammersmith, LondonThe sound of wild laughter suddenly fills our theatre. Following on the success of their Twelfth Night, Filter now bring us a joyous, two-hour Dream that owes a visi…

SOURCE: The Guardian at 12:59pm on February 17, 2012

King Lear " review by Michael Billington

Tobacco Factory, BristolThere is a sentimental myth abroad that if we could only minimise the role of these pesky directors with their quirky concepts, we could see Shakespear…

SOURCE: The Guardian at 1:29pm on February 16, 2012

J is for Jewish dramatists by Michael Billington

Just as Jewish folk culture influenced Hollywood cinema, modern theatre has also been shaped by Yiddish traditionAt the moment there is a rather under-valued play by Nicholas Wright, Travell…

SOURCE: The Guardian at 9:11am on February 14, 2012

Muswell Hill " review by Michael Billington

Orange Tree, RichmondWe've all been there: the dinner party from hell. Although it's a stock dramatic device, Torben Betts gives it a fresh and funny spin in this new play that, at its best,…

SOURCE: The Guardian at 12:45pm on February 13, 2012

The King's Speech on stage " review by Michael Billington

At Guildford's Yvonne Arnaud theatre, playwright David Seidler has much more room to explore the story's historical background than the cinema version allowedWatching David Seidler's play in…

SOURCE: The Guardian at 6:00pm on February 10, 2012

Absent Friends - review by Michael Billington

Harold Pinter Theatre, LondonIt is fascinating to see a new generation of directors and actors discover Alan Ayckbourn. And, even if the National came badly unstuck with Season's Greetings, …

SOURCE: The Guardian at 7:30pm on February 9, 2012

The Heresy of Love " review by Michael Billington

The Swan, Stratford-upon-AvonReligion is big by the Avon this winter. Following Written on the Heart, about the King James Bible, the RSC brings us Helen Edmundson's new play about the life …

SOURCE: The Guardian at 1:05pm on February 9, 2012

The Way of the World " review by Michael Billington

Sheffield CrucibleAfter a decade of neglect, Restoration comedy is back on the agenda. And Lyndsey Turner's modern-dress revival of William Congreve's 1700 classic proves highly pleasurable,…

SOURCE: The Guardian at 2:18pm on February 8, 2012

I is for illusion by Michael Billington

Suspension of belief can be a powerful theatrical tool, but should we be more emotionally detached from what's happening in front of us?The last 100 years have seen a constant battle against…

SOURCE: The Guardian at 5:36am on February 8, 2012

Master Class " review by Michael Billington

Vaudeville, LondonBeware of Americans bearing gift-wrapped versions of Greek legends. After the horrors of Martin Sherman's Onassis, we now have the return of Terrence McNally's version of a…

SOURCE: The Guardian at 6:00pm on February 7, 2012

Sex With a Stranger " review by Michael Billington

Trafalgar Studios, LondonPlays about casual sex among today's twentysomethings are not that uncommon. But two things give this cryptic, 80-minute three-hander by Stefan Golaszewski (wri…

SOURCE: The Guardian at 3:00pm on February 7, 2012

Worth the wait: why Look Back in Anger is the equal of Godot by Michael Billington

It took Judi Dench's astonishing 1989 production of Look Back in Anger to give us the play that John Osborne actually wrote " a play, like Beckett's, about waiting Continue reading...

SOURCE: The Guardian at 11:00am on February 7, 2012

Worth the wait: why Look Back in Anger is the equal of Godot by Michael Billington

It took Judi Dench's astonishing 1989 production of Look Back in Anger to give us the play that John Osborne actually wrote " a play, like Beckett's, about waitingBritish theatre is full of …

SOURCE: The Guardian at 11:00am on February 7, 2012

H is for David Hare by Michael Billington

The playwright has put up with my running commentary for 40 years. But no one else so tenaciously exposes society's frailtyI'm currently reading Benjamin Disraeli's Sybil, which offers a sta…

SOURCE: The Guardian at 9:38am on January 31, 2012

Michael Billington on judging classics by past performances by Michael Billington

Why Shakespeare plays havoc with your memoryHow much should critics invoke the past when judging the present? It's a thorny topic. I sometimes get letters along the lines of "You may not hav…

SOURCE: The Guardian at 5:45pm on January 29, 2012

The Sea Plays " review by Michael Billington

Old Vic Tunnels, LondonIn theory, this underground venue should be an ideal place to stage Eugene O'Neill's early sea plays, two of which are set in a ship's forecastle. But, with its shaky …

SOURCE: The Guardian at 1:45pm on January 29, 2012

F is for film by Michael Billington

For over a century, theatre has been inspired by the movies, and vice versa. If only musicals would keep their relationship with Hollywood to a Brief EncounterWhat, you may wonder, is a sect…

SOURCE: The Guardian at 9:30am on January 17, 2012

The Story of Musicals has its high notes by Michael Billington

The BBC4 series is better on anecdotes than ideas, so it's at its best when it stops drum-beating and deals with specificsCatch up with The Story of Musicals on iPlayerI'm enjoying BBC4's se…

SOURCE: The Guardian at 10:23am on January 12, 2012

Why a London home for the RSC is a capital idea by Michael Billington

For too long, the Shakespeare powerhouse founded by Peter Hall has been seen only randomly in London. This wasteful state of affairs has become a threat to the company's standingWhen Peter H…

SOURCE: The Guardian at 10:31am on January 10, 2012

E is for experiment by Michael Billington

Despite its radical history, experimental theatre has become institutionalised. Time for a shot in the armExperimental theatre is a hard concept to get one's head around, since everyone defi…

SOURCE: The Guardian at 7:16am on January 10, 2012

Fog " review by Michael Billington

Finborough, LondonThis 80-minute play is the product of an unusual partnership between an emerging young actor, Toby Wharton, and a veteran of feminist theatre, Tash Fairbanks. The result is…

SOURCE: The Guardian at 1:30pm on January 6, 2012

D is for director's theatre by Michael Billington

Actors and aspiring auteurs should call a truce " theatre works best when they work togetherDirector's theatre? "The very phrase in English," critic Kenneth Tynan once wrote, "has a pejorati…

SOURCE: The Guardian at 7:54am on January 3, 2012

The arts in 2012: theatre by Michael Billington

Michael Billington picks his highlights of the year aheadShe Stoops to ConquerKatherine Kelly, best known as Becky McDonald in Coronation Street, is one of a team of impressive young actors …

SOURCE: The Guardian at 4:45pm on December 29, 2011

C is for censorship | Michael Billington's A to Z of modern drama by Michael Billington

Formal theatre censorship may have long since ended in Britain, but we should be wary of assuming the battle for freedom of speech has been wonFor any British person under the age of 50, the…

SOURCE: The Guardian at 7:47am on December 27, 2011

Noises Off - review by Michael Billington

Old Vic, LondonMichael Frayn must have the subtlest mind ever applied to the writing of farce. And with Noises Off, first seen in 1982 and now gloriously revived, he has created not just a f…

SOURCE: The Guardian at 7:33pm on December 13, 2011
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