DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,436 stories by "Michael Billington"

The reviewer reviewed: 40 years of Michael Billington by Michael Billington

If you're a theatre-lover, there's every chance you've seen this man in the aisles. As Guardian critic Michael Billington celebrates 40 years of reviewing, stars of the stage " from Lucy Pre…

SOURCE: The Guardian at 4:29pm on December 11, 2011

Pippin " review by Michael Billington

Menier Chocolate Factory, LondonTowards the end of this revival of a long-forgotten 1972 musical, it suddenly hit me what I was watching: Broadway's answer to Peer Gynt. Both feature a hero …

SOURCE: The Guardian at 1:45pm on December 8, 2011

Richard II " review by Michael Billington

Donmar Warehouse, London Continue reading...

SOURCE: The Guardian at 5:59pm on December 6, 2011

Richard II " review by Michael Billington

Donmar Warehouse, LondonMichael Grandage ends his dazzling tenure at the Donmar with a Richard II that has many virtues: clarity, speed, superb set and sound design.But the big question is w…

SOURCE: The Guardian at 5:59pm on December 6, 2011

Why Mark Ravenhill at the RSC is good news for new writing by Michael Billington

The Royal Shakespeare Company has struggled to restore new writing to its repertoire in recent years. But Mark Ravenhill's residency could be a magnet for emerging talentI'm delighted that M…

SOURCE: The Guardian at 8:20am on December 5, 2011

Who needs critics? Why you do, Mr Sondheim by Michael Billington

While I understand the great composer's aversion to reviewers, what creative spirit wants their work to be met with silence?I can sympathise with Stephen Sondheim in his attacks on critics. …

SOURCE: The Guardian at 5:53am on November 23, 2011

One Man, Two Guvnors " review by Michael Billington

Adelphi, LondonTransfers can be tricky. But Richard Bean's updated version of Goldoni's comic classic seems, if anything, even funnier than it did at the National. The text has been shortene…

SOURCE: The Guardian at 8:30pm on November 21, 2011

Reasons to be Pretty " review by Michael Billington

Almeida, LondonNeil LaBute is haunted by the American obsession with physical beauty. The Shape of Things showed a shambolic geek getting a ruinous makeover. Fat Pig attacked the idea that w…

SOURCE: The Guardian at 7:32pm on November 17, 2011

The Lion in Winter - review by Michael Billington

Theatre Royal Haymarket, LondonTrevor Nunn's tenure at the Haymarket has given us fine revivals of Rattigan, Stoppard and Shakespeare. What puzzles me is why Nunn, with all the riches of wor…

SOURCE: The Guardian at 7:46pm on November 15, 2011

Salt, Root and Roe " review by Michael Billington

Trafalgar Studios, LondonTim Price is a young Welsh writer who got glowing reviews for his first play, For Once. This new piece, which opens the Donmar's three-play Whitehall season, is a qu…

SOURCE: The Guardian at 2:30pm on November 15, 2011

Next Time I'll Sing to You " review by Michael Billington

Orange Tree, RichmondI'm not quite sure why, but British theatre is currently preoccupied by the early 1960s. While Edward Bond, John Osborne and Arnold Wesker have all been recently honoure…

SOURCE: The Guardian at 12:55pm on November 14, 2011

The Westbridge " review by Michael Billington

Theatre Local, LondonA couple of years ago, I sat in on a workshop for young Muslim writers offered as part of the Royal Court's Unheard Voices programme. Out of that came this first play by…

SOURCE: The Guardian at 1:30pm on November 10, 2011

Hamlet " review by Michael Billington

Young Vic, LondonWe approach this Hamlet obliquely. We enter the Young Vic through the back door and are led through a maze of grey corridors. We are clearly in a psychiatric institution com…

SOURCE: The Guardian at 6:14pm on November 9, 2011

Count Oederland " review by Michael Billington

White Bear, LondonThe Swiss playwright Max Frisch is most famous for The Fire Raisers, in which a respectable bourgeois naively welcomes three agents of destruction into his home. But what i…

SOURCE: The Guardian at 2:00pm on November 9, 2011

Written on the Heart " review by Michael Billington

The Swan, Stratford-upon-AvonNo one could accuse the British theatre of ignoring the 400th anniversary of the King James Bible. And David Edgar has come up with a learned, information-p…

SOURCE: The Guardian at 1:40pm on November 8, 2011

Sweet Smell of Success " review by Michael Billington

Arts Educational, LondonThis musical version of a famously dark 1957 movie died a slow death on Broadway in 2002. Now it gets its British premiere in a production featuring third-y…

SOURCE: The Guardian at 1:45pm on November 6, 2011

Three Days in May " review by Michael Billington

Trafalgar Studios, LondonBen Brown is British theatre's history man. Last year, he wrote a riveting play, The Promise, about the Balfour Declaration of 1917, supporting "a home for the Jewis…

SOURCE: The Guardian at 1:51pm on November 3, 2011

Collaborators - review by Michael Billington

Cottesloe, LondonJohn Hodge is an honest man. He admits his new play about the relationship between Josef Stalin and the writer Mikhail Bulgakov derives from a film which was never made. But…

SOURCE: The Guardian at 8:53pm on November 1, 2011

Blind Date/27 Wagons Full of Cotton " review by Michael Billington

Riverside Studios, LondonDouble bills require a tricky balancing act: you want plays that echo, rather than simply repeat each other. This pairing of little-known pieces by Horton Foote and …

SOURCE: The Guardian at 2:35pm on November 1, 2011

Michael Billington on 13 and The Faith Machine by Michael Billington

Not everyone liked 13 and The Faith Machine " but if drama isn't for airing big ideas, then what is it for?What does a critic do when he finds himself out of step with majority opinion? I&nb…

SOURCE: The Guardian at 6:45pm on October 30, 2011

The Last of the Duchess " review by Michael Billington

Hampstead Theatre, LondonWallis Simpson is, mysteriously, back in fashion. But Nicholas Wright's new play is not, as Madonna's new film reportedly is, a glowing personal portrait. Instead it…

SOURCE: The Guardian at 8:09pm on October 26, 2011

13 " review by Michael Billington

Olivier theatre, LondonMike Bartlett has moved from writing minimalist dramas to maximalist epics without any intervening stage of development. Having tackled climate change in Earthquakes i…

SOURCE: The Guardian at 7:30pm on October 25, 2011

Death and the Maiden " review by Michael Billington

Harold Pinter theatre, LondonIt is highly appropriate that Ariel Dorfman's 1990 moral thriller is the first play to be presented in this newly-named theatre. Not only is Harold Pinter one of…

SOURCE: The Guardian at 8:39pm on October 24, 2011

Britannicus - review by Michael Billington

Wilton's Music Hall, LondonOnce shunned by the British theatre, Racine is edging back into fashion. It is well worth the detour to London's East End to catch Irina Brown's modern-dress reviv…

SOURCE: The Guardian at 12:36pm on October 23, 2011

Marat/Sade " review by Michael Billington

Royal Shakespeare, Stratford-upon-AvonThe Sixties are back with a vengeance. After Bond's Saved and Osborne's Inadmissible Evidence we now have an RSC revival of Peter Weiss's 1964 dialectic…

SOURCE: The Guardian at 8:23pm on October 20, 2011
« Previous 25   Page 87 of 98   Next 25 »