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2,436 stories by "Michael Billington"

Singin' in the Rain " review by Michael Billington

Chichester Festival TheatreThe title song is terrific. The brolly-brandishing Adam Cooper splashes about in the rain with infectiously childish glee. Indeed, the effect is so good that the w…

SOURCE: The Guardian at 6:00pm on July 5, 2011

Top Girls - review by Michael Billington

Minerva, ChichesterIt would be nice to think that Caryl Churchill's 1982 play, written during the rise of Thatcherism, now looks dated. In fact, it seems terrifyingly topical in its portrait…

SOURCE: The Guardian at 12:45pm on July 4, 2011

The Village Bike " review by Michael Billington

Royal Court, LondonAs she proved in Eigengrau at the Bush, Penelope Skinner is preoccupied by sex. She writes about it with a candour that is both entertaining and fiercely erotic. But, havi…

SOURCE: The Guardian at 12:59pm on July 3, 2011

Richard III " review by Michael Billington

Old Vic, LondonThere are basically two ways of presenting Richard III: as the culmination of a cycle or as a standalone drama. And, although I think it only makes total sense when seen in th…

SOURCE: The Guardian at 6:00pm on June 29, 2011

The Beggar's Opera " review by Michael Billington

Regent's Park, LondonLucy Bailey has had a bold and radical idea: to stage John Gay's 1728 ballad opera in its original period. This makes sense, since the piece was both an attack on Sir Ro…

SOURCE: The Guardian at 2:22pm on June 29, 2011

Hundreds and Thousands " review by Michael Billington

Soho Theatre UpstairsLou Ramsden is a young writer with a message to convey: that we live in a self-obsessed society that marginalises and even exploits people with learning difficulties. Th…

SOURCE: The Guardian at 1:00pm on June 28, 2011

Why small is beautiful when it comes to festivals by Michael Billington

One of my favourite festivals is the tiny but perfectly formed Galway theatre festival " and this year's instalment promises to be as brilliant (and boozy) as everWhat makes for a good arts …

SOURCE: The Guardian at 11:07am on June 27, 2011

Faith, Hope and Charity " review by Michael Billington

Southwark Playhouse, LondonYou can see why Odön von Horváth's savagely laconic play has been revived. Set in Munich in 1932, it deals with a world in which money is tight, jobs are scarc…

SOURCE: The Guardian at 12:31pm on June 26, 2011

Being Shakespeare " review by Michael Billington

Trafalgar Studios, LondonWe've had some fine one-man shows about Shakespeare from John Gielgud, Ian McKellen and Michael Pennington. But Simon Callow's is among the very best, partly because…

SOURCE: The Guardian at 1:38pm on June 24, 2011

Belongings " review by Michael Billington

Trafalgar Studio, LondonWomen are currently making the running in the new writing stakes. Confirmation comes with the transfer from Hampstead Downstairs to the West End of this play from Mor…

SOURCE: The Guardian at 2:30pm on June 22, 2011

The Flying Karamazov Brothers " review by Michael Billington

Vaudeville, LondonIn the heyday of variety and vaudeville, eccentric jugglers, dancers and musicians would be one item on a gloriously mixed bill. Now what were once known as "speciality act…

SOURCE: The Guardian at 1:30pm on June 21, 2011

Where's My Seat? " review by Michael Billington

The Old Shepherd's Bush Library, LondonThis is like a jolly house-warming before the new occupants have fully moved in. The Bush theatre has temporarily taken over the three-storey building …

SOURCE: The Guardian at 1:07pm on June 21, 2011

Betrayal - review by Michael Billington

Comedy Theatre, LondonHaving rubbished Harold Pinter's Betrayal on its appearance in 1978, I seem to have spent much of my life discovering its complexities. Each production yields fresh ins…

SOURCE: The Guardian at 7:39pm on June 16, 2011

Lend Me A Tenor, The Musical - review by Michael Billington

Gielgud, LondonFirst-rate musical farces, with the signal exception of A Funny Thing Happened On The Way To The Forum, are rare for one obvious reason: the songs tend to hold up the action. …

SOURCE: The Guardian at 8:03pm on June 15, 2011

Emperor and Galilean - review by Michael Billington

Olivier, LondonIbsen's enormous double-drama has had to bide its time: written between 1868 and 1873, it is only now receiving its British stage premiere, in Jonathan Kent's stunning staging…

SOURCE: The Guardian at 6:00pm on June 15, 2011

Shrek the Musical " review by Michael Billington

Theatre Royal, Drury Lane, LondonOnce upon a time musicals drew their inspiration from books, plays or even real life; now they seem to be based on animated movies. But, although Shrek stems…

SOURCE: The Guardian at 6:00pm on June 14, 2011

The Magician's Daughter " review by Michael Billington

Little Angel, LondonProspero, at the end of The Tempest, promises to break his staff and "bury it certain fathoms in the earth." Clearly he didn't make a very good job of it since, in Michae…

SOURCE: The Guardian at 8:58am on June 14, 2011

Luise Miller " review by Michael Billington

Donmar Warehouse, LondonMichael Grandage, with his revivals of Don Carlos and Mary Stuart, has made Schiller sexy. Now he and translator Mike Poulton turn their attention to this earlier 178…

SOURCE: The Guardian at 6:01pm on June 13, 2011

War Horse gallops past the funding neigh-sayers by Michael Billington

Jerusalem and War Horse triumphed at this week's Tony awards. What a great night for subsidised British theatreWhere would Broadway be without the British taxpayer? I ask because it always s…

SOURCE: The Guardian at 5:00pm on June 13, 2011

Government Inspector " review by Michael Billington

Young Vic, LondonThere are, broadly speaking, two possible approaches to Gogol's classic 1836 comedy. Treat it as a realistic satire on provincial corruption or as a wild fantasy. Given his …

SOURCE: The Guardian at 7:35pm on June 9, 2011

Public Interest " review by Michael Billington

New Diorama, LondonFact or fiction: which is the best way to deal with the issues raised by the Baha Mousa inquiry into the death of an Iraqi civilian in army custody? Coming hot on the heel…

SOURCE: The Guardian at 10:06am on June 9, 2011

Chicken Soup With Barley " review by Michael Billington

Royal Court, LondonEither because of a paucity of good new plays or an urge to rediscover the recent past, this is proving to be a summer of revivals. Now it is the turn of Arnold Wesker, wh…

SOURCE: The Guardian at 7:38pm on June 7, 2011

Tactical Questioning - review by Michael Billington

Tricycle Theatre, LondonVerbatim theatre is at its best the closest it comes to the condition of classical drama. That was certainly true of one of the Tricycle's most famous tribunal plays,…

SOURCE: The Guardian at 7:48pm on June 6, 2011

Butley - review by Michael Billington

Duchess, LondonSeeing Simon Gray's play revived in the West End, after a gap of 40 years, induces a feeling of nostalgia. Despite how much one may have mocked the commercial theatre of the p…

SOURCE: The Guardian at 6:01pm on June 6, 2011

Three Farces " review by Michael Billington

Orange Tree, RichmondKenneth Tynan first had the bright idea of staging a trio of mid-Victorian farces by the forgotten John Maddison Morton, claiming he is "better than Feydeau". A single M…

SOURCE: The Guardian at 10:33am on June 5, 2011
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