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2,436 stories by "Michael Billington"

King Lear - review by Michael Billington

Donmar Warehouse, London"How can you bear another Lear?" someone asked me over lunch. And, if one's honest, there are times when Mount Lear, as a critic once called it, can seem as daun…

SOURCE: The Guardian at 7:05pm on December 7, 2010

Quality Street " review by Michael Billington

Finborough, LondonAt this time of year, the name of JM Barrie usually means one thing: Peter Pan. But, with characteristic audacity, the Finborough has chosen to revive this 1902 Regency-set…

SOURCE: The Guardian at 5:15pm on December 6, 2010

Dick Whittington and his Cat " review by Michael Billington

Lyric Hammersmith, LondonIt's good that the Lyric is elastic enough to switch from Blasted one month to panto the next. But, while director Steve Marmion and his team have created a raucousl…

SOURCE: The Guardian at 5:15pm on December 5, 2010

Romeo and Juliet " review by Michael Billington

Roundhouse, LondonRupert Goold's sensational production of this problematic play sails into London from Stratford with all guns blazing. Signalling the start of a five-year partnership …

SOURCE: The Guardian at 4:30pm on December 3, 2010

Beauty and the Beast - review by Michael Billington

Cottesloe, LondonThe dedicatedly avant-garde Katie Mitchell astonished many last year with her playful production of The Cat in the Hat. Now she has directed and co-devised, with writer Lucy…

SOURCE: The Guardian at 7:20pm on December 1, 2010

My Dad's a Birdman " review by Michael Billington

Young Vic, LondonDavid Almond's Skellig provided the Young Vic with one of its biggest Christmas hits in 2003. Now Almond is back with a charming, gently optimistic fable about human longing…

SOURCE: The Guardian at 4:30pm on November 30, 2010

Les Parents Terribles - review by Michael Billington

Trafalgar Studios, LondonThe Donmar's West End season is driven by the desire to promote young directors, and it has an excellent one in Chris Rolls. He has grasped the key point that this 1…

SOURCE: The Guardian at 7:10pm on November 29, 2010

Kin " theatre review by Michael Billington

Royal Court, LondonThe myth of childhood innocence is under sustained attack at the Royal Court. After Polly Stenham's Tusk Tusk and Anya Reiss's Spur of the Moment, we now have a disturbing…

SOURCE: The Guardian at 5:02pm on November 25, 2010

The great expressionist experiment: theatre seizes the essence of life by Michael Billington

A number of productions are dragging British theatre away from the grip of realism " with sensational results"Expressionist" is one of those handy terms that we critics use rather promiscuou…

SOURCE: The Guardian at 10:34am on November 25, 2010

The Invisible Man " review by Michael Billington

Menier Chocolate Factory, LondonIllusionist Paul Kieve is the invisible genius of British theatre. You may not know the name, but he has supplied the tricks for scores of plays and musicals …

SOURCE: The Guardian at 4:45pm on November 24, 2010

The thrust of the problem for the RSC's new stage by Michael Billington

The renovation of the Royal Shakespeare Company's main theatre in Stratford brings the audience closer to the actors. The big question is whether it will help them hearLike Jonathan Glancey,…

SOURCE: The Guardian at 5:28am on November 24, 2010

End of the Rainbow - review | Theatre | Michael Billington by Michael Billington

Trafalgar Studios, LondonUnless they have some radical new information to impart, I could happily accept a moratorium on all bio-plays about Judy Garland, Marilyn Monroe and Maria Callas. Th…

SOURCE: The Guardian at 8:04pm on November 22, 2010

The Master Builder " review by Michael Billington

Almeida, LondonIbsen's weird, autobiographical 1892 play gets a radical makeover at the Almeida. Out go the oppressive furniture, the frock coats and even the statutory intervals. Instead we…

SOURCE: The Guardian at 8:10pm on November 18, 2010

The Glass Menagerie - review by Michael Billington

Young Vic, LondonWe have not been starved of productions of Tennessee Williams's famous autobiographical play. What makes this version, directed by Joe Hill-Gibbins, unusual is its fidelity …

SOURCE: The Guardian at 7:19pm on November 17, 2010

Fela! - review by Michael Billington

Olivier, London"Who here has ever been to jail?" asks the eponymous hero of this frenetic musical. It is not a question often asked of National Theatre audiences, but it is indicative of a s…

SOURCE: The Guardian at 7:33pm on November 16, 2010

Hungry Ghosts " review by Michael Billington

Orange Tree, RichmondAs a writer-director, Tim Luscombe doesn't shirk the big subjects. His last play, The Schuman Plan, dealt with the European federal dream. His new one tackles both Formu…

SOURCE: The Guardian at 4:29pm on November 15, 2010

Anne Boleyn by Michael Billington

Shakespeare's Globe, London Continue reading...

SOURCE: The Guardian at 4:29pm on July 29, 2010

Light Shining in Buckinghamshire by Michael Billington

Arcola, London Continue reading...

SOURCE: The Guardian at 5:15pm on July 21, 2010

Posh by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 8:58pm on April 15, 2010

Cock by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 6:38pm on November 18, 2009

Theatre review: Our Class, Cottesloe, London by Michael Billington

Cottesloe, London1,600 Jews were massacred in the small Polish town of Jedwabne in the summer of 1941. Such is the starting-point for this play by Tadeusz Slobodzianek which follows recent r…

SOURCE: The Guardian at 8:24pm on September 23, 2009

Calendar Girls by Michael Billington

Noel Coward, London Continue reading...

SOURCE: The Guardian at 7:22pm on April 15, 2009

Hamlet by Michael Billington

Courtyard, Stratford-upon-Avon Continue reading...

SOURCE: The Guardian at 7:01pm on August 5, 2008

Speed-The-Plow by Michael Billington

Old Vic, London· Mamet in pictures· Quiz: do you know your Mamet? Continue reading...

SOURCE: The Guardian at 7:35am on February 13, 2008

The Brothers Size / Young Vic, London by Michael Billington

Young Vic, LondonPeople leapt to their feet at the end of this show as if we were in America, which is appropriate since Tarell Alvin McCraney's play has been a big hit at New York's Public …

SOURCE: The Guardian at 12:16pm on November 14, 2007
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