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240 stories by "Michael Schulman"

Can Mozart and Salieri Work It Out? by Michael Schulman

At the Morgan Library’s Mozart exhibition, Will Sharpe and Paul Bettany dish about playing classical music’s most notorious rivals, on Starz’s new “Amadeus” reboot.

SOURCE: The New Yorker Subscription at 6:00am on May 18, 2026

Laurie Metcalf’s Third Act by Michael Schulman

The once cancelled producer Scott Rudin has staked his own comeback on making her the First Lady of American Theatre.

SOURCE: The New Yorker Subscription at 6:00am on April 27, 2026

Ellen Burstyn’s Inner Library by Michael Schulman

Kris Kristofferson told her he was a poet when they co-starred in “Alice Doesn’t Live Here Anymore.” Her new book tells the story of her life in poetry.

SOURCE: The New Yorker Subscription at 6:00am on April 27, 2026

Junior LaBeija, Master of Ceremonies by Michael Schulman

As the ballroom legend makes their Broadway début in "Cats: The Jellicle Ball," they reflect on accessorizing with raw chicken and dressing like Al Capone.

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Lisa Kudrow Is Back"Again by Michael Schulman

Twenty two years after the end of "Friends," the actress returns with a new installment of "The Comeback."

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

The Sacred Vibes of Wunmi Mosaku by Michael Schulman

The Oscar nominee, who plays a hoodoo healer in "Sinners," stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan's bag.

SOURCE: The New Yorker Subscription at 6:00am on March 5, 2026

Deepfaking Orson Welles's Mangled Masterpiece by Michael Schulman

Will an A.I. restoration of "The Magnificent Ambersons" right a historic wrong or desecrate a classic?

SOURCE: The New Yorker Subscription at 6:00am on February 2, 2026

The Best Performances of 2025 by Michael Schulman

In a year when the entertainment industry embraced the artificial, extraordinary human acts"from Sarah Snook's one-woman "Dorian Gray" to Michael B. Jordan's twin turn in "Sinners""made thei…

SOURCE: The New Yorker Subscription at 6:00am on December 16, 2025

Stephen Sondheim, Puzzle Maestro by Michael Schulman

For the late Broadway composer, crafting crosswords and treasure hunts was as thrilling as writing musicals.

SOURCE: The New Yorker Subscription at 6:00am on December 15, 2025

Chloé Zhao Has Looked Into the Void by Michael Schulman

The director of "Hamnet" says that her art has been shaped by her early love of manga, her relationship to the natural world, and her neurodivergence.

SOURCE: The New Yorker Subscription at 6:00am on December 7, 2025

Nicholas Christopher, Broadway's Grand Master by Michael Schulman

To prep for his role in the new revival of "Chess," by Tim Rice and two ABBA members, the star headed to Brighton Beach to dine with locals who know a thing or two about the game.

SOURCE: The New Yorker Subscription at 6:00am on November 10, 2025

The Remarkable Quotidian of Peter Hujar by Michael Schulman

In 1974, the photographer described his day to a journalist: a shoot with Allen Ginsberg, a chat with Susan Sontag. The delayed result: "Peter Hujar's Day," a film by Ira Sachs.

SOURCE: The New Yorker Subscription at 6:00am on November 3, 2025

Tim Curry Does the Time Warp by Michael Schulman

The actor and singer discusses the origins of "The Rocky Horror Picture Show," his relationship with David Bowie, and the joy of working with Miss Piggy.

SOURCE: The New Yorker Subscription at 6:00am on October 12, 2025

Tonatiuh Refashions Old Hollywood by Michael Schulman

The "Promised Land" actor goes window shopping as he stars in his first big movie role, opposite Jennifer Lopez, in "Kiss of the Spider Woman."

SOURCE: The New Yorker Subscription at 6:00am on October 6, 2025

Fred Armisen Goes Bang! Zip! Zoop! by Michael Schulman

The latest album from the musical "S.N.L." alum is a compilation of sound effects, including such tracks as "Obligatory Applause at a Speech" and "Tentative Sawing."

SOURCE: The New Yorker Subscription at 6:00am on August 25, 2025

From "I, Tonya" to Chris Farley, Pound by Pound by Michael Schulman

Need a meaty, cloddish, yet affable Everyman who can act? Paul Walter Hauser knows how to own the body type.

SOURCE: The New Yorker Subscription at 6:00am on July 28, 2025

Curtain Up at the New Delacorte by Michael Schulman

Central Park's beloved open-air stage has had some work done (eighty-five million dollars' worth). Streep and Pacino may have moved on, but the raccoons stuck around.

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

Patti LuPone Is Done with Broadway - and Almost Everything Else by Michael Schulman

The seventy-six-year-old theatre diva, famed and feared for her salty bravado, dishes on Hal Prince, her non-friendship with Audra McDonald, and sexy but dumb New York Rangers.

SOURCE: The New Yorker Subscription at 2:33pm on May 26, 2025

Richard Kind Is the Perfect Second Banana by Michael Schulman

The inveterate character actor discusses Don Quixote, his time as George Clooney's roommate, and his latest gig: m.c.ing John Mulaney's absurdist talk show.

SOURCE: The New Yorker Subscription at 6:56am on May 11, 2025

How the Academy Awards Have Adapted to Catastrophe by Michael Schulman

The L.A. wildfires have resurfaced an old question: Are times too dark for a glitzy awards ceremony?

SOURCE: The New Yorker Subscription at 11:59am on January 23, 2025

The Liberated Life of Colman Domingo by Michael Schulman

The actor discusses the West Philly musicians that inspired his style; the rejection that nearly made him quit show business; and the experience of making "Sing Sing" with former members of …

SOURCE: The New Yorker Subscription at 9:35am on January 12, 2025

A Tattoo Homage to Norma Desmond by Michael Schulman

Jamie Lloyd, the very inked director of the new Broadway revival of "Sunset Boulevard," gets a new tattoo inspired by the show.

SOURCE: The New Yorker Subscription at 6:00am on October 14, 2024

Jonathan Groff Rolls Merrily Back by Michael Schulman

The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.

SOURCE: The New Yorker Subscription at 6:00am on June 2, 2024

Recalling Meryl Streep's "Half-Assed Genuflection" by Michael Schulman

Sister Margaret McEntee inspired the play "Doubt," by her former pupil John Patrick Shanley. Her fellow Sisters of Charity went to see the Broadway revival.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2024

Broadway vs. the Pedicabs by Michael Schulman

Essentially boom boxes on three wheels, the bicycle-drawn carriages are prompting theatre owners to push back.

SOURCE: The New Yorker Subscription at 6:00am on January 8, 2024
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