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309 stories by "Sarah Crompton"

William Forsythe: 'I want people to look forward to ballet, not endure it' by Sarah Crompton

The American choreographer on setting classical dance steps to James Blake, his friendship with Nureyev, and why he hugs trees One of the world's greatest dance-makers, William Forsythe, 72,…

SOURCE: The Guardian at 1:03pm on March 13, 2022[SHARE]

Lyon Opera Ballet: Dance; Brigel Gjoka, Rauf 'RubberLegz' Yasit & Rusan Filiztek: Neighbours " review by Sarah Crompton

Sadler's Wells, LondonA Lucinda Childs postmodern gem sparkles anew, while two extraordinary dancers explore what unites people and tears them apart When George Balanchine created his three-…

SOURCE: The Guardian at 6:24am on March 13, 2022[SHARE]

Ruth Wilson: 'Sexuality is part of human nature. We have to put it on screen' by Sarah Crompton

The star of 'The Affair', 'Luther' and 'His Dark Materials' talks to Sarah Crompton about personal boundaries, the gender pay gap and why older women are more valued in Europe than Britain a…

SOURCE: The Independent at 2:42am on March 12, 2022[SHARE]

Swan Lake; Phantoms: A Triple Bill review " high emotion all round by Sarah Crompton

Royal Opera House; Wilton's Music Hall, LondonVadim Muntagirov stars in the late Liam Scarlett's reworking of a Russian classic. And Mark Bruce's new work needs less drama, more dance Even a…

SOURCE: The Guardian at 5:06am on March 6, 2022[SHARE]

Lost Dog: A Tale of Two Cities review " a far, far better thing when dance does the talking by Sarah Crompton

Warwick Arts Centre, and touringThis Dickens adaptation is at its most vibrant when it relies on Ben Duke and co's expressive choreography rather than complex dialogue "It was the best of ti…

SOURCE: The Guardian at 7:48am on February 27, 2022[SHARE]

NDT2 review " utter and transfixing confidence by Sarah Crompton

Sadler's Wells, LondonThe magnetic young dancers of NDT2 shapeshift through a demanding triple bill with irresistible ease and assurance The youngest of the 18 dancers who make up Nederlands…

SOURCE: The Guardian at 4:42am on February 20, 2022[SHARE]

Tanztheater Wuppertal Pina Bausch: Kontakthof; Acosta Danza: 100% Cuban " review by Sarah Crompton

Sadler's Wells, LondonUniversal themes of romance connect a young cast to their 70s revival, while Carlos Acosta stumbles in his casting There's a difficult balance in dance between being yo…

SOURCE: The Guardian at 9:06am on February 12, 2022[SHARE]

The Tragedy of Macbeth's Kathryn Hunter: 'The car crash wasn't an accident " it was a suicide attempt' by Sarah Crompton

The award-winning stage actor gives one of the standout performances in Joel Coen's film and is about to star on the London stage in 'The Chairs'. But things might have turned out very diffe…

SOURCE: The Independent at 2:06am on February 5, 2022[SHARE]

Thick & Tight: Short & Sweet review " a life-enhancing, many-peopled show by Sarah Crompton

Barbican Pit, LondonRunning the gamut from Edith Sitwell and Twiggy to Rasputin and Elaine Paige, this mixed bill from an extraordinary duo and friends is a delight Eleanor Perry (Tight) and…

SOURCE: The Guardian at 9:06am on January 29, 2022[SHARE]

Raymonda review " passion carries Tamara Rojo's parting shot by Sarah Crompton

Coliseum, LondonThe plot's still a problem but the dancers give their all in the outgoing ENB artistic director's bold attempt to bring an old classic in from the cold One of Tamara Rojo's e…

SOURCE: The Guardian at 8:54am on January 22, 2022[SHARE]

Gandini Juggling: Life review " a joyful love letter to Merce Cunningham by Sarah Crompton

Lilian Baylis Studio, Sadler's Wells, LondonThis dazzling show recreates the choreographer's work through the pure geometry of balls, hoops and clubs As niches go, a work that combines a tri…

SOURCE: The Guardian at 10:24am on January 15, 2022[SHARE]

Sarah Crompton's best dance of 2021 by Sarah Crompton

Dancers burst back on to the stage, online performances reached new audiences, and we've Zoom to thank for Robert Cohan's final work Miranda Sawyer's best radio and podcasts of 2021 Read th…

SOURCE: The Guardian at 8:03am on December 27, 2021[SHARE]

Matthew Bourne's Nutcracker!; Rumpelstilzchen " review by Sarah Crompton

Sadler's Wells, London; Curzon cinemas, Sky Arts, FreeviewMagic and melancholy combine to glorious effect in Bourne's Christmas classic. And the BalletBoyz make the Brothers Grimm look darke…

SOURCE: The Guardian at 5:12am on December 19, 2021[SHARE]

Marianela Núñez: 'What lockdown taught me, one more time, is that dance is my true passion' by Sarah Crompton

The Royal Ballet's phenomenal principal dancer was the fixed star at the heart of an extraordinary year for the company See the Observer's faces of 2021 in full It's been an oddly fractured …

SOURCE: The Guardian at 8:06am on December 7, 2021[SHARE]

Romeo & Juliet review " Sergei Polunin is reunited with Alina Cojocaru, and his talent by Sarah Crompton

Royal Albert Hall, LondonPolunin and Cojocaru are terrific, but neither is given enough to work with in the UK premiere of Johan Kobborg's new version There's been a lot of water under a few…

SOURCE: The Guardian at 4:33am on December 5, 2021[SHARE]

Past Present/Connecting to Cohan " an inspirational journey into dance history by Sarah Crompton

Linbury theatre, Royal Opera House, LondonThe extraordinary work of the late choreographer Robert Cohan finds full expression in two heartfelt tribute shows by Yorke Dance Project When I fir…

SOURCE: The Guardian at 4:33am on November 21, 2021[SHARE]

'We were a little naive': staging Cabaret, in the 60s and now by Sarah Crompton

As a new staging of Cabaret starring Eddie Redmayne and Jessie Buckley opens in London, director Rebecca Frecknall and 94-year-old composer John Kander, the only survivor of the original cre…

SOURCE: The Guardian at 11:06am on November 20, 2021[SHARE]

Giselle review " the stuff of dreams from the Royal Ballet by Sarah Crompton

Royal Opera House, LondonSix hundred performances of Giselle and counting, the Royal Ballet's peerless dancers continue to make this once revolutionary work their own The historical roots of…

SOURCE: The Guardian at 5:24am on November 14, 2021[SHARE]

Ballet Black: Then or Now/The Waiting Game review " dynamic anniversary celebration by Sarah Crompton

Linbury theatre, LondonThe company celebrates 20 years of challenging, creative work with an eclectic double bill including a thrilling new piece from one of its own dancers Ballet Black, fo…

SOURCE: The Guardian at 5:03am on November 7, 2021[SHARE]

Family/Love Chapter 2; Transverse Orientation review " from one extreme to another by Sarah Crompton

Selfridges Loading Bay; Sadler's Wells, LondonWhile Sharon Eyal's repetitive works writhe with energy, Dimitris Papaioannou's new piece lacks momentum but not beauty A work by Sharon Eyal pr…

SOURCE: The Guardian at 5:18am on October 31, 2021[SHARE]

The Dante Project review " bold, beautiful and utterly engaging by Sarah Crompton

Royal Opera House, LondonWayne McGregor, Thomas Adès and Tacita Dean's dream-team Divine Comedy, danced with glorious freedom by the Royal Ballet, is a fitting farewell to its star One of t…

SOURCE: The Guardian at 4:42am on October 24, 2021[SHARE]

Dance Umbrella: Extra Time; Nowhere review " a game of two halves by Sarah Crompton

Bell Square, Hounslow; available onlineDance Umbrella's football-themed piece fails to score, but Dimitris Papaioannou's 2009 work saves the day Never let it be said that dance doesn't broad…

SOURCE: The Guardian at 6:36am on October 17, 2021[SHARE]

Matthew Bourne's The Midnight Bell review " to the dark heart of desire by Sarah Crompton

Sadler's Wells, LondonThe choreographer draws rich inspiration from the lonely, thwarted characters of the novelist Patrick Hamilton in this beautifully danced new work Sexy, smouldering and…

SOURCE: The Guardian at 8:06am on October 9, 2021[SHARE]

Creature review " Akram Khan struggles with the weight of the world by Sarah Crompton

Sadler's Wells, London Jeffrey Cirio and Erina Takahashi dazzle for a sharp ENB, but this long-awaited new work is all message, no story One quality I've always admired in Akram Khan is his …

SOURCE: The Guardian at 9:32am on October 2, 2021[SHARE]

Charlotte Spencer Projects: Is This a Waste Land review " devastatingly effective by Sarah Crompton

Queen Elizabeth Olympic Park, LondonYou the audience are part of the action in this perspective-altering performance for disused spaces The first time I encountered the work of the dance-mak…

SOURCE: The Guardian at 8:06am on September 25, 2021[SHARE]
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