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832 stories by "Susannah Clapp"

Romeo and Juliet review " a bellowing pantomime by Susannah Clapp

Shakespeare's Globe, LondonThe lovers alone convince in Daniel Kramer's bewildering productionEmma Rice's last season in charge of the Globe opens with loud defiance. Daniel Kramer's product…

SOURCE: The Guardian at 4:18am on April 30, 2017

Obsession review " Jude Law is stranded in treacle-slow adaptation by Susannah Clapp

Barbican, LondonNo amount of writhing and roaring can enliven Ivo van Hove's self-absorbed take on ViscontiIn one corner David Hare: the least likely of dramatic Brexiters, suspicious of con…

SOURCE: The Guardian at 4:18am on April 30, 2017

City of Glass review " Auster adaptation is all spectacle by Susannah Clapp

Lyric Hammersmith, LondonA visually dazzling staging by 59 Productions is missing a human dimensionJames Fenton, trenchant former theatre critic of the Sunday Times, once described his job a…

SOURCE: The Guardian at 4:18am on April 30, 2017

Guards at the Taj review " rich with ideas and gore by Susannah Clapp

Bush theatre, LondonBrilliantly designed, Rajiv Joseph's philosophical, whimsical play brings immensity to a small space at the refurbished west London theatreThe rejigged, refreshed Bush th…

SOURCE: The Guardian at 4:06am on April 23, 2017

The Mentor; The Philanthropist review " lethal wit by Susannah Clapp

Ustinov Studio, Theatre Royal, Bath; Trafalgar Studios, LondonPlaywright Christopher Hampton's talents are illuminated in two clever satires skewering the literary and academic lifeWho would…

SOURCE: The Guardian at 2:54am on April 23, 2017

Carousel review " it's fine… if you close your eyes by Susannah Clapp

Coliseum, LondonKatherine Jenkins and Alfie Boe sound as good as you might expect, but 'semi-staged' here signifies a woeful lack of acting talentThe English National Opera has said that to …

SOURCE: The Guardian at 3:48am on April 16, 2017

The Winter's Tale review " pursued by a bear of very little brawn by Susannah Clapp

Barbican, LondonCheek by Jowl rise to Shakespeare's challenge, including a wonderful awakening for Hermione. But the beast scares no oneThe Winter's Tale is a series of dares for a director.…

SOURCE: The Guardian at 3:48am on April 16, 2017

Consent review " justice under interrogation by Susannah Clapp

Dorfman, LondonNina Raine adroitly tackles barristers' struggles with the truth as the audience becomes the jury in a rape caseMore than Consent. Heartfelt approval. It is hard to overemphas…

SOURCE: The Guardian at 5:06am on April 9, 2017

42nd Street review " move over, La La Land by Susannah Clapp

Theatre Royal Drury Lane, LondonIf it's a real musical you're after, this is the one to watchForget La La Land. If you want to see hot hoofing, go to Mark Bramble's production of 42nd Street…

SOURCE: The Guardian at 4:02am on April 9, 2017

The Goat, Or Who Is Sylvia? review " an unappetising plea for liberalism by Susannah Clapp

Theatre Royal, HaymarketDamian Lewis and Sophie Okonedo do their best with Edward Albee's provocative play, but it is too knowing for its own goodIn the seven months since Edward Albee died,…

SOURCE: The Guardian at 4:02am on April 9, 2017

My Country: A Work in Progress review " a laudable but limp look at Brexit Britain by Susannah Clapp

Dorfman, London Rufus Norris and Carol Ann Duffy's verbatim drama includes a variety of voices but is already out of date in our bitterly divided nationOne of Rufus Norris's aims since he be…

SOURCE: The Guardian at 5:06am on March 19, 2017

My Brilliant Friend review " intensity wins through by Susannah Clapp

Rose theatre, Kingston upon ThamesCatherine McCormack and Niamh Cusack ignite April De Angelis's five-hour staging of Elena Ferrante's Neopolitan sagaWhat a nerve. To think that Elena Ferran…

SOURCE: The Guardian at 5:06am on March 19, 2017

The Miser review " a Molière mugfest by Susannah Clapp

Garrick, London Heavily laboured jokes sink Griff Rhys Jones and Lee Mack in this 17th-century comedy of mannersIt may be that, all unwittingly, I have had a farsectomy. I " mostly " applaud…

SOURCE: The Guardian at 4:03am on March 19, 2017

Rosencrantz and Guildenstern Are Dead review " a great double act by Susannah Clapp

Old Vic, LondonDaniel Radcliffe and Joshua McGuire's split-second timing ensures this well-judged production of Stoppard's classic fizzes with lifeWhen as a schoolgirl I saw Rosencrantz and …

SOURCE: The Guardian at 4:42am on March 12, 2017

Who's Afraid of Virginia Woolf? review " Staunton and Hill have a bawl by Susannah Clapp

Harold Pinter, LondonPrepare for a high-wire showdown in James Macdonald's fine production of Albee's caustic classicNo one is going to accuse Who's Afraid of Virginia Woolf? of being too sh…

SOURCE: The Guardian at 4:42am on March 12, 2017

Limehouse review " the gang of four revisited by Susannah Clapp

Donmar Warehouse, LondonOutstanding performances, including Roger Allam as Roy Jenkins, enliven a timely drama about the birth of the SDPIt was an Alice Through the Looking Glass press night…

SOURCE: The Guardian at 4:42am on March 12, 2017

The Hypocrite review " hard-work humour from Richard Bean by Susannah Clapp

Hull Truck theatre, HullMark Addy and Caroline Quentin star in Richard Bean's gag-heavy satirical tale of a 17th-century city governor navigating the outbreak of civil warThere is exemplary …

SOURCE: The Guardian at 4:12am on March 5, 2017

Hamlet review " Andrew Scott is a truly sweet prince by Susannah Clapp

Almeida, LondonScott brings total empathy to the title role in Robert Icke's inspired production Robert Icke is one of the most important forces in today's theatre. He blew the dust from Ore…

SOURCE: The Guardian at 4:12am on March 5, 2017

Othello review " sheer force of feeling by Susannah Clapp

Tobacco Factory, BristolPowerful performances from fine young actors bring fresh power to this sensual, subtle reinventionRichard Twyman is not resident at the Tobacco Factory. Yet his marve…

SOURCE: The Guardian at 3:42am on February 26, 2017

A Midsummer Night's Dream review " a dark and muddy vision by Susannah Clapp

Young Vic, LondonIt's all mire, ire and menace in Joe Hill-Gibbins's heavy-going productionMud sticks. The most immediately striking feature of Joe Hill-Gibbins's staging of A Midsummer Nigh…

SOURCE: The Guardian at 3:42am on February 26, 2017

Twelfth Night review " on high gend by Susannah Clapp

Olivier, LondonTamsin Greig is a magnetic Malvolia in an extravagant production that gleefully refocuses Shakespeare's comedyShe is a 21st-century puritan: her religion is herself; her body …

SOURCE: The Guardian at 3:42am on February 26, 2017

Beware of Pity review " found in translation by Susannah Clapp

Barbican, London Simon McBurney's fizzing take on the novel that inspired The Grand Budapest Hotel transcends language barriers… and can still be seen onlineBefore I was a theatre critic I…

SOURCE: The Guardian at 3:36am on February 19, 2017

Richard III review " a thoroughly modern game of thrones by Susannah Clapp

Barbican, LondonLars Eidinger is a visceral, manipulative monarch in Thomas Ostermeier's explosive German-language productionThomas Ostermeier has been director of Schaubühne Berlin since 1…

SOURCE: The Guardian at 3:36am on February 19, 2017

Travesties " early Stoppard feels like new by Susannah Clapp

Apollo, LondonTom Hollander proves wonderfully potty in Stoppard's 1974 play, given a startling new lease of life in this age of alternative factsEarly Tom Stoppard plays are having a stage …

SOURCE: The Guardian at 3:36am on February 19, 2017

Sex With Strangers review " a night to forget by Susannah Clapp

Hampstead theatre, LondonDespite fine performances, Laura Eason's 2009 play about two writers having a fling is too rooted in its timeLaura Eason's Sex With Strangers was first staged by Ste…

SOURCE: The Guardian at 3:36am on February 12, 2017
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