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832 stories by "Susannah Clapp"

Sunset Boulevard review " ready again for her close-up by Susannah Clapp

Coliseum, LondonGlenn Close plays Norma Desmond with as much panache as she did more than 20 years agoIt is more than 20 years since Glenn Close first starred in Andrew Lloyd Webber's Sunset…

SOURCE: The Guardian at 3:58am on April 10, 2016

The Caretaker review " star turns but no terror by Susannah Clapp

Old Vic, LondonCompelling performances from Timothy Spall, Daniel Mays and George MacKay fail to elevate Matthew Warchus's production of the Pinter classicHere is an idea about The Caretaker…

SOURCE: The Guardian at 3:58am on April 10, 2016

X review " a jittery dystopia by Susannah Clapp

Royal Court, LondonJessica Raine proves herself a stage natural in Alistair McDowall's ingenious but taxing tale of future humanity adrift in despairX is another of Alistair McDowall's dysto…

SOURCE: The Guardian at 3:58am on April 10, 2016

Bug review " horror and despair at close quarters by Susannah Clapp

Found111, LondonKate Fleetwood's magnetic performance in this paranoia play continues this tiny pop-up space's run of terrific performancesEvery now and then a particular theatre turns into …

SOURCE: The Guardian at 3:33am on April 3, 2016

Les Blancs review " revolution so real you can smell it by Susannah Clapp

National theatre, LondonA new version of Lorraine Hansberry's play about unrest in colonial Africa is a compelling mix of atmosphere and argumentAudiences at the National don't often applaud…

SOURCE: The Guardian at 3:33am on April 3, 2016

Long Day's Journey Into Night review " volcanic excitement and breakneck pace by Susannah Clapp

Eugene O'Neill's partly autobiographical play of family dysfunction careers towards its tragic outcome with terrific energyLong Day's Journey Into Night? No. It is the speed of Richard Eyre'…

SOURCE: The Guardian at 3:33am on April 3, 2016

The Painkiller review " a farce without force by Susannah Clapp

Garrick, LondonKenneth Branagh and Rob Brydon labour for laughs as hotel guests thrown together by circumstanceGradually the stage is picking to pieces accepted ideas about the 1960s. Martin…

SOURCE: The Guardian at 5:01am on March 27, 2016

Hamlet review " a fresh prince makes his mark by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-Avon Paapa Essiedu paints a young and striking Hamlet, torn by indecision in an African military state, in Simon Godwin's stirring interpretationAt …

SOURCE: The Guardian at 4:03am on March 27, 2016

The Maids review " TV star power can't revive Genet's murderous romp by Susannah Clapp

Trafalgar Studios, LondonUzo Aduba, Zawe Ashton and Laura Carmichael make a striking cast, but the declamatory dialogue is heavy-handedAt Trafalgar Studios, Uzo Aduba steams and storms: a ba…

SOURCE: The Guardian at 3:31am on March 6, 2016

Welcome Home, Captain Fox! review " breezy cold war chortles by Susannah Clapp

Donmar Warehouse, LondonJean Anouilh's slight tale of a amnesiac soldier claimed by a host of different families gets a colourful 1950s treatmentJean Anouilh's 1937 comedy Le voyageur sans b…

SOURCE: The Guardian at 3:31am on March 6, 2016

The Solid Life of Sugar Water review " in bed with a catastrophe by Susannah Clapp

National Theatre, LondonJack Thorne's play about a couple struggling to come to terms with tragedy is unflinchingI can't remember when I last saw a play that was at once so forthright and so…

SOURCE: The Guardian at 3:31am on March 6, 2016

The Tempest review " Dromgoole bows out beautifully by Susannah Clapp

Sam Wanamaker Playhouse, LondonThe Globe director's farewell production casts its spell in the candlelit space that crowns his time thereDominic Dromgoole says goodbye to the Globe with the …

SOURCE: The Guardian at 3:38am on February 28, 2016

Cyrano de Bergerac review " a nose without a point by Susannah Clapp

Southwark Playhouse, LondonKathryn Hunter plays the lovelorn French nobleman in this all-female production, but nothing is gained by the gender swapWhat is the point of an all-female Cyrano …

SOURCE: The Guardian at 3:38am on February 28, 2016

Cleansed review " the first cut was the deepest by Susannah Clapp

Dorfman, LondonIt may be too gruesome much for some, but Sarah Kane's 1998 horror show feels depleted in Katie Mitchell's protracted revivalTheatres love people walking out. Sometimes it see…

SOURCE: The Guardian at 3:38am on February 28, 2016

Uncle Vanya review " Chekhov rewired by Susannah Clapp

Almeida, LondonUncle Vanya is snapped into focus in a fine-tuned new version by the remarkable writer-director Robert IckeRobert Icke has been giving the British stage electric shocks for th…

SOURCE: The Guardian at 3:27am on February 21, 2016

Mrs Henderson Presents review " flash in the pan by Susannah Clapp

Noël Coward, LondonAn adorable heroine played by Emma Williams and a fine score from George Fenton and Simon Chamberlain are the only saving graces hereThere are two reasons for seeing Mr…

SOURCE: The Guardian at 3:27am on February 21, 2016

Nell Gwynn review " nudge-nudge feminism by Susannah Clapp

Apollo, LondonGemma Arterton's megawatt charm lights up Jessica Swale's brocaded romp-comArguments about the theatre are being put into period costume. Many of these arguments are accusation…

SOURCE: The Guardian at 3:27am on February 21, 2016

Red Velvet review " a definitive performance from Adrian Lester by Susannah Clapp

Garrick, LondonLolita Chakrabarti's powerful play about the 19th-century African American actor Ira Aldridge is now where it should be…In 1833 the African American actor Ira Aldridge took …

SOURCE: The Guardian at 3:19am on February 7, 2016

The Master Builder review " knotty intensity from Ralph Fiennes by Susannah Clapp

Old Vic, LondonFiennes gives lustre to Ibsen's preposterous autobiographical tale of an ageing architect battling irrelevanceYou may catch Ralph Fiennes in an obscure play; never in an insig…

SOURCE: The Guardian at 3:19am on February 7, 2016

Ma Rainey's Black Bottom review " a terrific August Wilson revival by Susannah Clapp

Lyttelton, LondonSharon D Clarke as the 'mother of the blues' leads a superb cast in Dominic Cooke's knockout productionWhat are the great American plays of the late 20th and early 21st cent…

SOURCE: The Guardian at 3:19am on February 7, 2016

Herons review " a feral smash and grab by Susannah Clapp

Lyric Hammersmith, London Young Max Gill is terrific in a new production of Simon Stephens's meditation on bullyingSean Holmes has pulled off a terrific smash and grab on Herons. His product…

SOURCE: The Guardian at 3:39am on January 31, 2016

Yen review " zinging dialogue, unforgettable staging by Susannah Clapp

Royal Court, LondonThe hit team behind Pomona turn Anna Jordan's gritty play into something specialTwo years ago Ned Bennett (director), Georgia Lowe (designer) and Polly Bennett (movement d…

SOURCE: The Guardian at 3:39am on January 31, 2016

Escaped Alone review " small talk and everyday terror from Caryl Churchill by Susannah Clapp

Royal Court, LondonChurchill's magnificent new play unleashes an intricate, elliptical, acutely female view of the apocalypseSo which is the best moment in Caryl Churchill's sizzling new pla…

SOURCE: The Guardian at 3:39am on January 31, 2016

The week in theatre: Susannah Clapp reviews new work by the makers of the Sultan's Elephant by Susannah Clapp

The company whose huge mechanical elephant triumphed last year is using puppets in the shopfronts of Nantes to tell more tall talesLa Révolte des Mannequins Shop windows, Nantes, Fran…

SOURCE: The Guardian at 6:43am on January 24, 2016

Ellen Terry With Eileen Atkins review " bewitching, nonstop Shakespeare by Susannah Clapp

Sam Wanamaker Playhouse, LondonThe border between Ellen and Eileen is permeable in Atkins's extraordinary one-woman show"Sixty-three and on one-night stands." Ellen Terry, the loved Victoria…

SOURCE: The Guardian at 3:33am on January 24, 2016
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