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832 stories by "Susannah Clapp"

Grand Hotel review " everyone is on the make or on the wane by Susannah Clapp

Southwark Playhouse, LondonGreta Garbo and Sally Bowles stalk Thom Southerland's full-tilt production of the 1989 musicalAt Southwark Playhouse, Thom Southerland has done sterling work in to…

SOURCE: The Guardian at 3:12am on August 9, 2015

Genius, coward… or madman? Why Hamlet gives actors the ultimate test by Susannah Clapp

In nearly 20 years reviewing theatre for the Observer Susannah Clapp has seen 24 wildly different interpretations of Hamlet. Benedict Cumberbatch had many examples to study before offering h…

SOURCE: The Guardian at 9:33pm on August 8, 2015

Bakkhai review " Ben Whishaw and Bertie Carvel share the honours by Susannah Clapp

Almeida, LondonThere is tremor not terror " but tremendous acting " in James Macdonald's overly ingenious reworking of EuripidesOn the one hand Ben Whishaw. Wandlike " or thyrsos-like " sway…

SOURCE: The Guardian at 4:16am on August 2, 2015

Seven Brides for Seven Brothers review " the whole thing is barmy, and spot-on by Susannah Clapp

Regent's Park Open Air theatre, LondonThere are beards and gingham and high kicks galore in Rachel Kavanaugh's pitch-perfect production Seven Brides for Seven Brothers could have been called…

SOURCE: The Guardian at 4:16am on August 2, 2015

Jekyll and Hyde review " ravishing design, stilted acting by Susannah Clapp

Platform theatre, Central Saint Martins, LondonThis clever co-production of Stevenson's great story really is a tale of two halvesHow appearances can deceive. Jekyll and Hyde is an intriguin…

SOURCE: The Guardian at 4:16am on August 2, 2015

Neck of the Woods review " toothless retelling of Red Riding Hood by Susannah Clapp

Home, ManchesterCharlotte Rampling collaborates in a scare-free adaptation of the fairytaleThis year's Manchester international festival has made striking tilts at fairytale and myths. Maxin…

SOURCE: The Guardian at 4:24am on July 19, 2015

Lampedusa review " moving tales of modern injustice by Susannah Clapp

Soho theatre, LondonAnders Lustgarten's stories of injustice, delivered as first-hand testimony, are powerful but ultimately improbableIt is not easy to cry in a small theatre, especially if…

SOURCE: The Guardian at 4:24am on July 19, 2015

The Mentalists review " B&B drama fails to bring home the bacon by Susannah Clapp

Wyndham's, LondonNeither Stephen Merchant nor Steffan Rhodri can elevate Richard Bean's two-hander above the level of whimsyIt's as if you turned up to Centre Court and found yourself watchi…

SOURCE: The Guardian at 4:24am on July 19, 2015

Pink Mist review " intense, spare theatre by Susannah Clapp

Bristol Old VicOwen Sheers interviewed soldiers recently wounded in Afghanistan for his harrowing tale of young lives shattered by warPink mist is the spray of blood that hangs in the air wh…

SOURCE: The Guardian at 3:54am on July 12, 2015

The Skriker review " extraordinarily prescient by Susannah Clapp

Royal Exchange, ManchesterCaryl Churchill's doom-wreaking Skriker, created 20 years ago, proves to be a primary figure of modern theatreShe would not be welcome as a member of the Garrick Cl…

SOURCE: The Guardian at 3:54am on July 12, 2015

Measure for Measure review " bravado in merriment by Susannah Clapp

Shakespeare's Globe, LondonDominic Dromgoole's final staging as artistic director turns Shakespeare's troubling problem play into something close to jolly, and is all the bolder for itFive y…

SOURCE: The Guardian at 3:15am on July 5, 2015

The Trial review " Kafka made bland and babbling by Susannah Clapp

Young Vic, LondonNick Gill's adaptation and Richard Jones direction conspire to flatten the novel's tension and mystery, though Rory Kinnear shines throughKafka said he wanted his work to be…

SOURCE: The Guardian at 3:15am on July 5, 2015

hang review " Marianne Jean-Baptiste's terrible choice in a terrifying space by Susannah Clapp

Royal Court, LondonDebbie Tucker Green directs her own intense crime and punishment dramaCataclysm in a small space. Explosion in lower case. Intensity and obliqueness are defining marks of …

SOURCE: The Guardian at 3:42am on June 21, 2015

The Motherfucker With the Hat review " a brutally funny take on addiction by Susannah Clapp

Lyttelton, LondonAn ex-con struggles to go straight in a vibrant New York dramaThe design alone makes it worth the visit. Robert Jones's set declares the idiom of Stephen Adly Guirgis's 2011…

SOURCE: The Guardian at 3:42am on June 21, 2015

Violence and Son review " you are what you do in the Welsh valleys by Susannah Clapp

What's inherited, what's learned? The dialogue's salty and the performances finely tuned in Gary Owen's Royal Court debutViolence and Son by Gary Owen begins with an electronic sizzle. A boy…

SOURCE: The Guardian at 2:20am on June 21, 2015

The Red Lion review " Patrick Marber waxes lyrical about the beautiful game by Susannah Clapp

Dorfman, London Fine performances add clout to Patrick Marber's changing-room three-handerIt is 20 years since Patrick Marber burst on to the stage of the National with his sharp-witted poke…

SOURCE: The Guardian at 3:36am on June 14, 2015

Have Your Circumstances Changed? review " magnified domesticity by Susannah Clapp

Former Fads shop, Archway Mall, LondonThree wordless studies of old men in a shop window make a surreal spectacle of ordinary lifeArtangel's new show could hardly have a more suitable settin…

SOURCE: The Guardian at 3:36am on June 14, 2015

Oresteia review " a terrifying immediacy by Susannah Clapp

Almeida, LondonAn exhilarating present-day reworking of Aeschylus gives free rein to female power"I felt so alive once I'd killed him." As the husband-slayer Clytemnestra, a magnificent Lia …

SOURCE: The Guardian at 4:34am on June 7, 2015

The Elephant Man review " Bradley Cooper reminds us some stars can act by Susannah Clapp

Theatre Royal Haymarket, LondonCooper's buzzy West End debut is impressive but performing without prostheses and makeup is both a considerable feat and a cop-outPeople have been hustling vig…

SOURCE: The Guardian at 3:03am on June 7, 2015

Cause Célèbre; Rocket to the Moon " review by Susannah Clapp

Old Vic; Lyttelton, both LondonVowel-torturing upper-class accents; ferocious feelings; a traditional scene performed in an abstract place. Thea Sharrock " who kick-started the Terence Ratti…

SOURCE: The Guardian at 9:31am on June 6, 2015

The Merchant of Venice review " Antonio moves centre stage by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-AvonAntonio and Bassanio are the revelation in Polly Findlay's RSC production Continue reading...

SOURCE: The Guardian at 3:40am on May 31, 2015

Temple review " sedate rather than stirring by Susannah Clapp

Donmar Warehouse, LondonSteve Waters's recasting of events surrounding the Occupy protests is scrupulously balanced but lacks animation Continue reading...

SOURCE: The Guardian at 2:45am on May 31, 2015

Clybourne Park; The Maddening Rain; Into the Woods; Oikos | Theatre review by Susannah Clapp

Royal Court; Old Red Lion; Regent's Park Open Air; Jellyfish theatre, all London

SOURCE: The Guardian at 5:58pm on May 25, 2015

The 10 best Hamlets by Susannah Clapp

From David Tennant's sardonic and volatile performance to John Gielgud's choked-up ferocity, Susannah Clapp picks the 10 best portrayals of Hamlet

SOURCE: The Guardian at 5:58pm on May 25, 2015

Grandage leaves the Donmar and the critics cry by Susannah Clapp

Can anyone fill the director's shoes at London's best off-West End theatre?

SOURCE: The Guardian at 5:58pm on May 25, 2015
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