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832 stories by "Susannah Clapp"

Brighton festival " review by Susannah Clapp

Directed by Michael Rosen, this year's Brighton festival captures the spirit of the city, from militant circus to missing relativesThis is the year the Brighton festival took off. The shows …

SOURCE: The Guardian at 7:07pm on May 11, 2013

The Tempest; The Pajama Game; The Weir " review by Susannah Clapp

Globe, London; Minerva, Chichester; Donmar, LondonColin Morgan from Merlin is Ariel, bringing his smooth magic to the South Bank. Limber, honey-voiced, swinging from a lintel, he is eerily s…

SOURCE: The Guardian at 7:05pm on May 4, 2013

Othello " review by Susannah Clapp

Olivier, LondonThese days it's becoming hard to write about the theatre without praising Nicholas Hytner. Can't he do something wrong so that we critics can start looking less like courtiers…

SOURCE: The Guardian at 7:07pm on April 27, 2013

Orpheus " review by Susannah Clapp

Battersea Arts Centre, LondonLittle Bulb is the cause of big joy. The larky, lyrical company, most of whom graduated from the University of Kent only five years ago, have taken over BAC with…

SOURCE: The Guardian at 7:05pm on April 27, 2013

Table; Children of the Sun " review by Susannah Clapp

The Shed; Lyttelton, LondonNicholas Hytner's departure is not the only change under way at the National. By the time a new artistic director arrives in 2015, large swaths of the once controv…

SOURCE: The Guardian at 7:08pm on April 20, 2013

The Seagull " review by Susannah Clapp

Nuffield, SouthamptonWe're living in an era of strong and radical Chekhov productions. We've had them from Benedict Andrews at the Young Vic, Russell Bolam at Southwark, Andrew Hilton a…

SOURCE: The Guardian at 7:05pm on April 20, 2013

Narrative; Cannibals; Once " review by Susannah Clapp

Royal Court, London; Royal Exchange, Manchester; Phoenix, LondonIt's a tribute to Nicholas Hytner's mighty reign at the National that the news of his standing down outshone, or outdarkened, …

SOURCE: The Guardian at 7:06pm on April 13, 2013

Peter and Alice; The Low Road " review by Susannah Clapp

Noël Coward; Royal Court, LondonJudi Dench begins tight as an oyster, encrusted with age and depression and disappointment. She opens and lightens and unstiffens as she remembers the danc…

SOURCE: The Guardian at 8:05pm on March 30, 2013

British arts and theatre: women's time in the spotlight has arrived by Susannah Clapp

Women are finally getting the chance to make a massive impact in the arts, argues the Observer's theatre criticThis is the difference that a woman at the top of an arts organisation can make…

SOURCE: The Guardian at 8:06pm on March 23, 2013

The Audience " review by Susannah Clapp

Gielgud, LondonWell, I didn't believe in it but I was seduced by it. At least for a while. The Audience " the first surefire, unstoppable hit of the year " has been created to disarm all com…

SOURCE: The Guardian at 7:06pm on March 9, 2013

De Gabay " review by Susannah Clapp

Butetown, Cardiff"People think we're pirates but we're actually poets." Welsh Somalians living in Cardiff's Butetown " the docks area once known as Tiger Bay " wanted to show the truth of th…

SOURCE: The Guardian at 7:05pm on March 9, 2013

Fences; Trelawny of the Wells; Richard III " review by Susannah Clapp

Theatre Royal, Bath; Donmar Warehouse, London; Tobacco Factory, BristolLet's forget AA. Let's not put African American in front of August Wilson's name. Instead let's acknowledge that he was…

SOURCE: The Guardian at 7:05pm on March 2, 2013

Rutherford & Son; Glasgow Girls; Playing Cards 1: Spades " review by Susannah Clapp

Viaduct, Halifax; Stratford East; Roundhouse, LondonShe wrote under initials so that no one would know she was a woman. She died thinking her playwriting career was a failure. In New York sh…

SOURCE: The Guardian at 7:06pm on February 16, 2013

Feast; In the Beginning Was the End; The Turn of the Screw " review by Susannah Clapp

Young Vic; Somerset House; Almeida, LondonFeast: yes. But fast, too. I've rarely seen anything so bursting with visual ideas, so thrumming with interesting sounds and rhythms and so skinnily…

SOURCE: The Guardian at 7:05pm on February 9, 2013

Old Times " review by Susannah Clapp

Harold Pinter theatre, LondonIt looks like a wheeze at first, a publicist's gamble to get people to pay twice for the same evening. Yet the double casting of Kristin Scott Thomas and Lia Wil…

SOURCE: The Guardian at 7:07pm on February 2, 2013

Port " review by Susannah Clapp

Lyttelton, LondonA new version of A Doll's House, an updating of Ubu Roi, a triumphant, West End-bound adaptation of The Curious Incident of the Dog in the Night-Time. Before that: wild swer…

SOURCE: The Guardian at 7:04pm on February 2, 2013

Quartermaine's Terms " review by Susannah Clapp

Wyndham's, LondonAt first the casting of Rowan Atkinson looks perverse. In fact it's inspired. The truly startling stroke in Simon Gray's 1981 play is that it makes its main character a void…

SOURCE: The Guardian at 7:03pm on February 2, 2013

The Accrington Pals; Di and Viv and Rose; One Monkey Don't Stop No Show " review by Susannah Clapp

Royal Exchange, Manchester; Hampstead; Tricycle, LondonWith what varied meanings the word "pals" winds through Peter Whelan's 1982 play. This is a drama full of warmth between both women and…

SOURCE: The Guardian at 7:06pm on January 26, 2013

The 10 best theatrical dynasties by Susannah Clapp

From the Foxes to the Redgraves, the Observer's theatre critic Susannah Clapp chooses the most celebrated acting familiesSusannah Clapp

SOURCE: The Guardian at 9:00am on January 26, 2013

No Quarter; The Silence of the Sea; Not Until We Are Lost " review by Susannah Clapp

Royal Court; Trafalgar Studios; Platform; LondonPolly Stenham's feral families are at the heart of Dominic Cooke's Royal Court. First, in 2007, the bullying child and alcoholic mother of Tha…

SOURCE: The Guardian at 7:06pm on January 19, 2013

The House Where Winter Lives; Hansel and Gretel; Pinocchio " review by Susannah Clapp

Discover Children's Story Centre; Cottesloe; Little Angel; LondonLong before the Olympics there was drama in London's Stratford. It was here in the 50s and 60s that Joan Littlewood and her e…

SOURCE: The Guardian at 7:06pm on December 29, 2012

My Fair Lady; The Dance of Death; Midnight's Pumpkin " review by Susannah Clapp

Crucible, Sheffield; Trafalgar Studios; Battersea Arts Centre, LondonI thought my resistance to My Fair Lady had hardened. I don't like plays sentimentalised by melody, or cockneys singing w…

SOURCE: The Guardian at 7:09pm on December 22, 2012

Privates on Parade; In the Republic of Happiness; The Arabian Nights " review by Susannah Clapp

Noël Coward; Royal Court; Tricycle, LondonMichael Grandage is setting out to change the West End. He wants to provide a theatre that is both tempting and affordable. His Michael Grandage …

SOURCE: The Guardian at 7:06pm on December 15, 2012

The best theatre of 2012: Susannah Clapp's choice by Susannah Clapp

The scientific met the psychological to scintillating effect, and hard times called for Shakespeare and Chekhov2012 was a year in which Britain depended on the theatre to show itself off to …

SOURCE: The Guardian at 4:00pm on December 15, 2012

Julius Caesar; Hello, Dolly!; Peter Pan " review by Susannah Clapp

Donmar, London; Curve, Leicester; Bristol Old VicAlways fascinating, sometimes infuriating, Phyllida Lloyd's all-female production of Julius Caesar is one of the most important theatrical ev…

SOURCE: The Guardian at 7:04pm on December 8, 2012
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