DOCUMENT OF A DOCUMENT
Heidi Schreck’s engaging play may stick with you long after you ve left the theater.
Heidi Schreck’s engaging play may stick with you long after you ve left the theater.
Cherise Boothe gives an excellent performance in this story of a woman breaking apart and trying to put it all back together again.
Despite great acting, this techno-savvy adaptation is strangely out of step with some of the more searing themes in the original film.
Bryan Cranston gives a towering performance in Ivo van Hove s stage adaptation of the 1976 film.
Cher fans will be singing the praises of Stephanie J. Block, who leads three great actresses in this spectacular musical.
This a capella musical celebrates when British and German troops observed an informal ceasefire in WWI.
Bilingual American women worked as telephone operators in World War I, and their story is turned into a stirring musical here.
Two one-acts by Brian Friel get a welcome revival, though the chemistry between the two leads leaves something to be desired.
Excellent acting pays off in this domestic drama.
Parallels are drawn between Trump and Hitler in John Doyle s production of this rarely seen 1941 political allegory.
Every time you see Beckett’s work can be a new experience, and this production is no exception.
The giant state-of-the-art animatronics are undercut by how bad this musical is on all other fronts.
A smart script and fine performances drive this drama about human consciousness.
Though the story isn t perfect, this new Broadway musical is a bit of breezy fun with a peppy score.
Bobby Cannavale and Daniel Radcliffe go up against each other in this true story of a writer and fact checker fighting to get a story right.
In his hilarious solo show, Mike Birbiglia tells the story of how he overcame his lifelong objection to parenthood.
Mike Birbiglia puts his self-deprecating wit to work in his solo Broadway show about becoming a father.
After the dazzle of the special effects wears off, this behemoth musical feels pretty small.
In this thoughtful production, Primary Stage presents three of A.R. Gurney s one-act plays.
Larissa FastHorse takes on hot-button issues with a deliciously funny approach.
An out-of-commission playhouse has one week to put on a play and save the town.
Although Christopher Demos-Brown s play covers important issues of race, the story and characters are two-dimensional.
In Moisés Kaufman’s uneven but moving production, the cast doesn t quite measure up to the original.
Although the play’s thematic content provides food for thought, much of it is slow, didactic and derivative.
At age 86, Elaine May turns in an electrifying performance as a woman whose mind is slipping away.