1,793 stories from Theater News Online
Grief and joy alike suffuse a play that is a triumph through and through.
This marvelously entertaining and thought-provoking play brings to life a battle being fought every day in our society.
Glenn Close stars as Joan of Arc’s mother, who must wrestle with her daughter s visions.
As this musical production takes to the road, Betty Buckley radiates joy from center stage.
Bedlam, in a move fitting of its name, combines these two plays into a side-by-side experimental mashup.
Theresa Rebeck’s latest play takes on an interesting premise but fails to stick the landing.
This innovative production finds all kinds of ways to breathe new life into this Golden Age musical.
Characters and songs collide in Conor McPherson s ode to Dylan and the Depression.
Richard Bean’s new play provides a kind of tear-inducing laughter that is in short supply on Broadway.
In Theresa Rebeck’s clever and entertaining comedy, actress Sarah Bernhardt is determined to play Hamlet.
Craig Lucas latest play takes on a cluttered mess of themes – with two sets of actors to make it extra complicated.
Felder s one-man show portrays Berlin s restless intensity and fervent patriotism in the style of a jukebox musical.
Sharr White s political drama never quite catches fire, but Edie Falco is strong in the lead role.
With her life s work, Mazzie s gift to theatergoers and colleagues alike was happiness in its purest state.
Sasson Gabay has big shoes to fill taking over the role of Tewfiq, but the show hasn t lost its step.
Bernard Shaw s 1919 dramedy remains a multi-dimensional portrait of human nature.
A short run of this revelatory 1983 musical marks a homecoming of a show that has entered theater history.
Lillian Hellman s play gets off to a slow start, but it really comes alive in the second act.
There s not a shred of originality in this repurposing of the 1990 film.
While the cast album of Carousel is as disappointing as the revival, My Fair Lady is one of the albums of the last 60 years.
This cliché-filled musical is derivative of all that came before it, without the tunes to back it up.
The schmaltz goes down more easily in Joel Grey s deft production.
Quality music, acting and stage production help sell this nostalgia vehicle.
This musical is so full of cheesiness and clichés that anyone who buys a ticket will come to regret it.
Renée Taylor’s tells tales of a life in show business in her one-woman show.
