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1,898 stories from The New Yorker

Why Earnestness Is Everywhere

“Project Hail Mary” and Lena Dunham’s memoir “Famesick” are part of a new wave of art works that boldly embrace sincerity over cynicism. Why are we suddenly so eager to wear our he…

SOURCE: The New Yorker Subscription at 6:00am on April 23, 2026

The History of Jazz Has Instantly Expanded by Richard Brody

Newly released archival live performances by Ahmad Jamal, Joe Henderson, and Cecil Taylor illuminate their legacies and the art form at large.

SOURCE: The New Yorker Subscription at 6:45pm on April 21, 2026

The Minnesotans Who Wanted to Be in “Purple Rain” by Kelefa Sanneh

In 1983, the photographer Tom Arndt heard about something interesting happening in the parking lot of a Holiday Inn: a casting call for Prince’s new movie.

SOURCE: The New Yorker Subscription at 3:35pm on April 21, 2026

Is the Ticketmaster Monopoly Verdict a Mirage? by Paula Mejía

After years of skyrocketing fees and byzantine sales practices, a jury ruled against the company in an antitrust case. The effect on concert-going remains uncertain.

SOURCE: The New Yorker Subscription at 3:04pm on April 21, 2026

If You Ask Me: Save the Rich White Women by Libby Gelman-waxner

The plots of these shows usually center on a murder, which occurs not so much to end a human life as to inconvenience our star, who must postpone a brunch or a media event to conceal an inco…

SOURCE: The New Yorker Subscription at 6:00am on April 21, 2026

Daphne Rubin-Vega Comes Home by Sarah Larson

Strolling through Hell's Kitchen, the actress recalls old celeb sightings (Jane Fonda! Donald Sutherland!) on her way to playing the swaggering Mr. Zero in "The Adding Machine," Off Broadway.

SOURCE: The New Yorker Subscription at 6:00am on April 20, 2026

David Armstrong's Probing Gaze by Vince Aletti, Dan Stahl, Zoë Hopkins, Hilton Als, Sheldon Pearce, Marina Harss, Richard Brody, Taran Dugal

Also: Jennifer Tilly in the surreal world of "The Adding Machine," New York City Ballet's spring season, Anne Hathaway and Michaela Coel in "Mother Mary," and more.

SOURCE: The New Yorker Subscription at 6:00am on April 17, 2026

"Mother Mary," Starring Anne Hathaway and Michaela Coel, Reviewed

Anne Hathaway, as a pop star, and Michaela Coel, as a fashion designer, are trapped in the narrow limits of a chamber drama that's smaller than their personalities.

SOURCE: The New Yorker Subscription at 3:35pm on April 16, 2026

"Beef," "The Drama," and the New Marriage Plot

Two releases about troubled couples meet a broader cultural moment of questioning what the institution is good for"and what new arrangements might replace it.

SOURCE: The New Yorker Subscription at 6:00am on April 16, 2026

Sharp Claws at "Becky Shaw" and "Cats: The Jellicle Ball" by Emily Nussbaum

Gina Gionfriddo's zinger-filled sex farce and the celebratory ballroom-culture adaptation of Andrew Lloyd Webber's confounding musical are cathartic catnip.

SOURCE: The New Yorker Subscription at 6:00am on April 16, 2026

The Wild Mind of the Romanian Director Radu Jude by Rebecca Mead

The director's native city drives him crazy"and drives him to make loony, brilliant films.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

What Wallace Shawn Did Before His "Moth Days" by Sarah Larson

When the two lead actresses in Shawn's play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg and Shawn himself.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Ed Solomon's Family Portrait by Emma Allen

The screenwriter's latest film, "The Christophers," stars Ian McKellen as a lapsed artist. While gallery-hopping, Solomon reflects on his relationship with his painter mother, who recently p…

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Zara Larsson Gets Her Flowers by Doreen St. Félix

On the "Midnight Sun" tour, the Swedish artist makes a comeback that feels like a début.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Why I Wanted to Keep My Marriage a Secret, by David Sedaris by David Sedaris

It's not that I was embarrassed by Hugh or that I thought someone better might come along. I just shudder when I hear a man say the words "my husband."

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Douglas Stuart Reads "A Private View"

The author reads his story from the April 20, 2026, issue of the magazine.

SOURCE: The New Yorker Subscription at 6:00am on April 12, 2026

Douglas Stuart on the Push and Pull of an Old Life Versus a New One by Cressida Leyshon

The author discusses his story "A Private View."

SOURCE: The New Yorker Subscription at 6:00am on April 12, 2026

Elle Fanning Gets the Money Shot by Jennifer Wilson

The Oscar-nominated actress discusses collaborating with Nicole Kidman, the art of playing a performer, and her new series, "Margo's Got Money Troubles," in which she stars as a single mom w…

SOURCE: The New Yorker Subscription at 6:00am on April 12, 2026

Isa Genzken Finds Chaos in Order by Hilton Als, Emily Nussbaum, Sheldon Pearce, Brian Seibert, Rachel Syme

Also: Raye's ambitious new album, Nathan Lane's Willy Loman, Dance Theatre of Harlem's seminal "Firebird," and more.

SOURCE: The New Yorker Subscription at 6:00am on April 10, 2026

Getting Older with Clare Barron and Anne Kauffman by Alex Barasch

At Cherry Lane Theatre, the writer and the director of "You Got Older," starring Alia Shawkat and Peter Friedman, dish on mortality, romantic angst, and the rapper Pitbull.

SOURCE: The New Yorker Subscription at 6:00am on April 6, 2026

Do the Circulation-Desk Shuffle by Naaman Zhou

The New York Public Library's new series, Lunch Dances, features choreography based on objects in the stacks. Can a pirouette tell the story of a mid-century lesbian magazine?

SOURCE: The New Yorker Subscription at 6:00am on April 6, 2026

Happy Hour with Emanuel Ax by Jane Bua

To ring in his new WQXR podcast, the veteran pianist puts on a special live show with a secret surprise guest"his old drinking buddy Yo-Yo Ma.

SOURCE: The New Yorker Subscription at 6:00am on April 6, 2026

"Rate Your Happiness," by Catherine Lacey by Catherine Lacey

How natural it is to fail, to fail to decide, to remain in meaningless motion.

SOURCE: The New Yorker Subscription at 6:00am on April 5, 2026

"The Christophers": A Review of Steven Soderbergh's New Drama by Justin Chang

In Steven Soderbergh's film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground.

SOURCE: The New Yorker Subscription at 6:00am on April 3, 2026

"Dog Day Afternoon" on Broadway, Reviewed by Emily Nussbaum

Sidney Lumet's kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots.

SOURCE: The New Yorker Subscription at 6:00am on April 2, 2026
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