37,864 stories from The New York Times
Collaborating with the choreographer Jamar Roberts for the New York City Ballet fashion gala, Iris van Herpen created costumes that merged fantasy and form.
"Spunk," a fable weaving together music and movement, is getting its first full staging since being rediscovered in 1997.
Samuel Beckett's 55-minute contemplation of mortality comes to NYU Skirball in a neat and handsome staging by Vicky Featherstone.
The esteemed company presents a full-length contemporary work by Hofesh Shechter at New York City Center. Forget about pointe shoes. This is Chanel in socks.
"I wanted to tell a story that encompassed the gender spectrum," said Tonatiuh, who transformed his body to play the queer window dresser Luis Molina.
"Freedom Riders," a performance featuring monologues about police violence against Black people, played in cities throughout the South before returning to New York.
In her bold, funny solo show, the social media influencer details a life of identity-searching, controversy and a determination to be absolutely herself.
Striking plants of deep pinks and dark greens conjure the visual world of "Wicked" this month at the New York Botanical Garden.
The fund-raiser drew celebrities, rock stars and designers, though its red carpet and dinner was boycotted by the company's dancers who are fighting for pay increases.
The screen star is making her London stage debut in Tracy Letts' portrait of embattled womanhood.
New York City Ballet presents a new work of uncanny beauty, with costumes by Iris van Herpen, inspired by nature and technology.
The reimagined "Jellicle Ball" version of the musical is set in the ballroom scene " the queer subculture built around dance competitions.
For T's annual celebration of the people changing the culture, we profile three artists united in their dedication to taking risks.
For half a century, she's brought her singular talents to the stage and screen. Now, the actress wants one more shot at the role that helped make her a star.
Long the leading Asian American playwright, he was writing autofictional works about identity politics decades before those were cultural obsessions.
Jen Tullock's Off Broadway play, "Nothing Can Take You From the Hand of God," delves into growing up in a Christian family.
A festival at the Joyce Theater leaves out the Age of Aquarius work that made this choreographer popular, presenting surprisingly old-fashioned ballet instead.
Twenty-two people in a broad spectrum of the arts and sciences were awarded the fellowship, which comes with an $800,000 stipend.
The Broadway League and unions representing actors, stage managers and musicians are trying to negotiate new contracts, but workers are increasingly frustrated.
Critics initially panned it, but public love for the musical with songs like "One Day More" and "On My Own" has kept it going strong for four decades " and counting.
The Serbian artist's latest piece is a four-hour exploration of folklore and sexuality, featuring singers, dancers, musicians and film.
Natalie Palamides and Julia Masli are among the stars of a new clowning movement that revels in the comedy of failure. How did these fools become prestige?
George Steinbrenner's theater-loving granddaughter Haley Swindal is taking a big swing with a revival of the musical, slightly retooled for a new generation.
Taylor Swift reimagines the fate of the tragic "Hamlet" heroine on her new album, "The Life of a Showgirl." But did she really need saving?
Bobby Cannavale, James Corden and Neil Patrick Harris talked about paintings that made an impression and, like their characters in "Art," had questions about one another's taste.
