37,844 stories from The New York Times
Audiences are flocking to shows starring Patrick Ball of “The Pitt,” Jon Bernthal and Ayo Edebiri of “The Bear,” Ben Ahlers of “The Gilded Age” and more.
Patrick Ball, Melissa Barrera, Adrien Brody, Tessa Thompson and Ben Ahlers discuss the demands of live performance as they make their Broadway debuts.
Wilson’s 2024 adaptation of Herman Melville’s classic, with music by the British singer-songwriter Anna Calvi, has a short run at the Brooklyn Academy of Music.
In three U.S. cities, a new production of the playwright’s cabdriver drama “Jitney” will be imported from Italy.
A buzzy revival of Andrew Lloyd Webber’s hit 1970s musical will transfer to New York next spring, but without its signature outdoor scene.
The actors connected quickly as they prepared to make their Broadway debuts in a new revival of David Auburn’s Pulitzer- and Tony-winning play.
In Washington and in federal court, the center is arguing that its planned two-year closure is crucial. Critics say it’s a result of declining attendance and fleeing artists.
The Manhattan Theater Club production will bring the actress back to the stage next spring, four years after her last Broadway production.
The latest trend on Broadway is celebrity co-producing: A-listers who now have credits as backers of plays and musicals.
David Henry Hwang revised the Rodgers & Hammerstein classic 25 years ago. Now he gets to remedy some of his own remake’s flaws.
The rapper will perform in “Moulin Rouge!” for the final time on Friday, though the production didn’t say why she was leaving more than two weeks early.
The play, by Jack Holden and Ed Stambollouian at the Lucille Lortel Theater, tells the story of a brutal bully who was shot and killed in plain view.
Courtney Washington made her name as a choreographer in street-dance competitions and on the ballroom scene. Now, she’s making a work for Parsons Dance.
A Broadway musical adaptation of the 1987 movie gets a lot of mileage from ’80s rocker aesthetics and over-the-top spectacle — until its second half.
How the show “Every Brilliant Thing” has spread joy and relief around the world.
This revival starring Cedric the Entertainer and Taraji P. Henson may be uneven at times, but it still unlocks Wilson’s mysterious drama.
In the play “Rheology,” a son and his mother grapple, in very different ways, with what her eventual death will mean.
Rose Byrne in “Fallen Angels,” a couple trapped in the musical village of “Schmigadoon!” and “The Rocky Horror Show” at Studio 54: These productions are worth seeing.
Sam Pinkleton’s new revival at Studio 54 gives us the big gay mayhem we want while also maintaining some order via Rachel Dratch’s droll Narrator.
A new musical version of the 1980s tear-jerker comes to Broadway, but the production is too muddled to make an emotional impact.
Mark Gatiss plays a Charlie Chaplin-like dictator in a timely Royal Shakespeare Company revival.
The École des Sables has established itself as Africa’s premier dance-training hub. Yet money concerns, and a new port nearby, make its future precarious.
David Lindsay-Abaire’s comedy about a wealthy homeowners association thrown into disarray makes a case for the same social compact it skewers.
Cecily Strong and Corey Stoll star in this two-hander about connecting over a meal that becomes much deeper than two colleagues socializing out-of-office.
Cinco Paul’s loving spoof of Golden Age musicals, adapted from a TV series, comes to Broadway, where its charming musical numbers can really shine.
