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35,402 stories from The Guardian

I had a cameo in the Inside No 9 stage show. It was a living nightmare | Adrian Chiles by Adrian Chiles

Immersing myself in the programme's seriously dark comedy loosened my grip on reality " and then a ventriloquist asked me for a selfie I was on stage, alone, at a packed Alexandra theatre in…

SOURCE: The Guardian at 2:24am on October 9, 2025

Mary Page Marlowe review " Susan Sarandon shines in slippery study of a life in pieces by Arifa Akbar

Old Vic theatre, LondonFive actors play the protagonist at different stages over 70 years in Tracy Letts' play, co-starring Andrea Riseborough If there is something familiar about a play com…

SOURCE: The Guardian at 2:24am on October 9, 2025

I have been criticised for being part of the Riyadh comedy festival. This is why I did it | Omid Djalili by Omid Djalili

The headlines focus on money, but the gigs were great and I think there are different ways to achieve progress. Art, especially comedy, can be part of that After 15 years of turning down of…

SOURCE: The Guardian at 4:48pm on October 8, 2025

Cyrano de Bergerac review " Adrian Lester brings sublime soul to roistering romance by Arifa Akbar

Swan theatre, Stratford-upon-Avon The giant-hootered lover ventriloquising his passion for Roxane through a physically dashing rival is the standout star of this warm and l…

SOURCE: The Guardian at 10:12am on October 8, 2025

Demand the Impossible review " powerful punk rage at injustices of police violence and spycops scandal by Gareth LlÅ·r Evans

Corn Exchange, NewportEveryday oppression is explored through the narratives of a Black Lives Matter activist, a blacklisted construction worker and an environmental campaigner Performances …

SOURCE: The Guardian at 10:12am on October 8, 2025

Maybe Tomorrow review " a lifetime of regret behind the razzle-dazzle by Mark Fisher

Ã’ran Mór, GlasgowIn this new musical, a bitter performer is visited by her sparkling younger self and confronts her disappointments Imagine spending a career wanting to play the lead …

SOURCE: The Guardian at 3:48pm on October 7, 2025

Marc Maron is the rare comedian who shows us how it should be done by Andrew Lawrence

In a new documentary and as his WTF podcast ends, the US comic has shown a level of integrity and perspective that many of his peers could learn from To be a longtime listener of Marc Maron'…

SOURCE: The Guardian at 1:32pm on October 7, 2025

'She's leaning into the idea that her image is a gilded fantasy': how Taylor Swift embraced the showgirl by Elle Hunt

Swift, who returns with her 12th album in the guise of the ultimate iconic performer, is the latest pop star to take on the 19th-century tradition Taylor Swift has gone through many evolutio…

SOURCE: The Guardian at 12:24pm on October 7, 2025

Nicole Scherzinger review " raunchy gags and dazzling stylistic zigzags by Michael Cragg

Royal Albert Hall, London Riding high off Tony and Olivier wins, the Pussycat Doll turned theatre star showcases her astonishingly versatile singing chops and a standup's gift for chaotic hu…

SOURCE: The Guardian at 12:24pm on October 7, 2025

'The masturbation scene really happened': inside Safe Space, the campus drama about toppling a statue by Ryan Gilbey

Inspired by a protest that took place while he was at Yale, Safe Space is musicals star Jamie Bogyo's debut play. He speaks about well-meaning white liberals, saying 'cringe' things " and tu…

SOURCE: The Guardian at 12:24pm on October 7, 2025

Making a drama about refugees could defuse anti-migrant anger in UK, says Jonathan Pryce by Lanre Bakare Arts and Culture Correspondent

Actor says 'people aren't aware of the facts' and the realities for people living in migrant hotels A compelling drama about refugees living in Britain could be one way to defuse the rising …

SOURCE: The Guardian at 8:02am on October 7, 2025

Les Misérables: a musical full of heart and hope that continues to defy its critics by Michael Billington

When it opened in 1985, Les Mis got some rotten reviews. Forty years on, our writer sees it afresh and Cameron Mackintosh reflects on the show's spectacular success So were we wrong? By "we"…

SOURCE: The Guardian at 6:54am on October 7, 2025

'A certain bite': how Martha Graham pushed dance in dazzling new directions by Lyndsey Winship

As her company prepares to celebrate its centenary, the legendary choreographer's groundbreaking work is finally getting the respect it deserves in the UK. What took so long? A century ago, …

SOURCE: The Guardian at 1:12pm on October 6, 2025

'This is not a sealed deal': Bryony Kimmings on confronting climate catastrophe in a 'great night out' by Miriam Gillinson

The revered performance artist returns with three arresting projects for stage and screen, each cultivating hope for the condition of the planet Performance artist Bryony Kimmings doesn't ho…

SOURCE: The Guardian at 7:48am on October 6, 2025

'Am I a bad person because you can see my nipples?' Elouise Eftos on making standup sexy by Brian Logan

In an age of self-deprecation, the former cabaret star is infuriating fellow standups by calling herself 'Australia's first attractive comedian' " and flaunting her sex appeal on stage Is El…

SOURCE: The Guardian at 3:32am on October 6, 2025

Poor review " adaptation of Katriona O'Sullivan's memoir is rich in spirit by Helen Meany

Gate theatre, DublinO'Sullivan's account of a childhood and early adulthood marked by poverty, addiction and abuse is made into an at times affectingly raw play by Sonya Kelly 'To me, aged …

SOURCE: The Guardian at 2:24am on October 6, 2025

Troilus and Cressida review " history repeats as farce in Pythonesque takedown of ancient heroes by Arifa Akbar

Shakespeare's Globe, LondonAchilles is a slob and Ajax is a meathead in Owen Horsley's streamlined production, which is bursting with invention and comic inversions Shakespeare's take on th…

SOURCE: The Guardian at 4:36pm on October 5, 2025

(the) Woman review " explosive comedy tells the unvarnished truth about motherhood by Anya Ryan

Park theatre, LondonA writer tries capturing the messiness of new parenting in Jane Upton's gut-punching play " every scene of which chips away at the myth that motherhood should come natura…

SOURCE: The Guardian at 8:02am on October 5, 2025

Uprooted review " the female fightback against the exploitation of Latin America by Arifa Akbar

New Diorama theatre, LondonEphemeral Ensemble's atmospheric but unfocused follow-up to Rewind depicts the west's ecologically ruinous colonisation of Latin America from a feminist perspectiv…

SOURCE: The Guardian at 7:02am on October 5, 2025

The Boy/The God and His Daughter review " Marina Carr's majestic Theban double bill by Helen Meany

Abbey, DublinTwo new plays reimagine Sophocles and Euripides with lavish scale, mordant humour and fresh interrogation of power and prophecy 'We are the new gods," Oedipus, King of Thebes, d…

SOURCE: The Guardian at 6:02am on October 4, 2025

Romeo a Juliet review " star-crossed lovers divided by language by Gareth LlÅ·r Evans

Sherman theatre, CardiffTheatr Cymru's bilingual version of Shakespeare's tragedy brings intriguing complexity to the warring families but also some confusion 'Speakest thou from the heart?"…

SOURCE: The Guardian at 12:24pm on October 3, 2025

Andrea Peña & Artists: Bogotá review " writhing, sweaty dancefloor revolt is exhausting by Lyndsey Winship

Sadler's Wells East, LondonDance Umbrella festival opens with a bold yet alienating piece inspired by mythology and magical realism It's as if you've turned up at the party when they're all …

SOURCE: The Guardian at 7:54am on October 3, 2025

Hamlet review " a cocky prince of infinite jest runs riot at the National by Arifa Akbar

Lyttelton theatre, LondonHiran Abeysekera brings humour to the tragedy and Francesca Mills steals the show as Ophelia but this staging pulls its emotional punches Last week, Indhu Rubasingha…

SOURCE: The Guardian at 6:48am on October 3, 2025

Patricia Routledge brought humanity to an array of eccentrics, from Hyacinth Bucket to Lady Bracknell by Michael Billington

The versatile star, who has died aged 96, portrayed absurdly pretentious and apparently grotesque characters with wonderful sympathy Patricia Routledge was an actor of uncommon versatility e…

SOURCE: The Guardian at 6:48am on October 3, 2025

English National Ballet's R:Evolution review " a triple whammy of Balanchine, Forsythe and Graham by Lyndsey Winship

Sadler's Wells, LondonIn a stunning evening, fearless and faultless dancers deliver a trio of classics, ending with a gorgeous yet more subdued piece by David Dawson English National Ballet'…

SOURCE: The Guardian at 1:24am on October 3, 2025
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