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38,438 stories from The New York Times

For Natalie Palamides, 'Weer' and Her Stage Work Are Her Clowning Glory by Elisabeth Vincentelli

Natalie Palamides's mind-scrambling work oscillates between big laughs and pathos. Her show "Weer" is the first long run at the renovated Cherry Lane Theater.

SOURCE: The New York Times Subscription at 5:31am on September 29, 2025

'Waiting for Godot' Review: Keanu Reeves and Alex Winter on Broadway by Laura Collins-hughes

Jamie Lloyd's pristinely chic Broadway revival of the existential tragicomedy casts the "Bill & Ted" stars Keanu Reeves and Alex Winter as Samuel Beckett's clowns.

SOURCE: The New York Times Subscription at 10:18pm on September 28, 2025

How John Leguizamo Spends a Day Before Taking the Stage by Sarah Bahr Photographs and Video By Christian Rodriguez

The actor fits in tennis with his son, a writing session and lots of dancing before performing his new show at the Public Theater.

SOURCE: The New York Times Subscription at 3:18am on September 27, 2025

Review: Mozart's 'Figaro' Meets Larry Kramer's Fire Island by Joshua Barone

Kevin Carillo dreams up an unlikely combination, with results that are delirious and often persuasive, but also excessive.

SOURCE: The New York Times Subscription at 12:02pm on September 26, 2025

In "The Unwomanly Face of War," History's Record Is Corrected by Laura Cappelle

A stage adaptation of the Nobel laureate Svetlana Alexievich's "The Unwomanly Face of War" gives Soviet women credit for their complex roles in World War II.

SOURCE: The New York Times Subscription at 10:18am on September 26, 2025

In 'Punch' on Broadway, Trying to Summon Empathy for the Unforgivable by Laura Collins-hughes

The Broadway play "Punch" retells the true story of a fatal blow and how restorative justice brought healing to the parents and to the young man who threw the punch.

SOURCE: The New York Times Subscription at 5:06am on September 26, 2025

Scarlett Johansson and the Stars of Her Directing Debut on 'Eleanor the Great' by Melena Ryzik and Meghan Marin

The director, Scarlett Johansson, and stars, June Squibb and Erin Kellyman, discuss the story of an elderly woman who claims to be a Holocaust survivor.

SOURCE: The New York Times Subscription at 5:00am on September 26, 2025

In Alice Birch's New Play, It's Bleak Being a Man by Houman Barekat

Alice Birch's latest play offers two modish genres for the price of one: the trauma narrative and the earnest inquiry into masculinity.

SOURCE: The New York Times Subscription at 10:36pm on September 25, 2025

'The Other Americans' Review: John Leguizamo's Family Drama Aims Big by Juan A. Ramírez

For the first play he's written, the actor stars as a striving Colombian American patriarch in the mold of Willy Loman or Walter Younger.

SOURCE: The New York Times Subscription at 10:06pm on September 25, 2025

Rashid Johnson Stages 'Dutchman' at Russian and Turkish Baths by Rachel Sherman

No phones, no street clothing. The artist Rashid Johnson has returned to the Russian and Turkish Baths with Amiri Baraka's incendiary play "Dutchman."

SOURCE: The New York Times Subscription at 5:24pm on September 25, 2025

Manhattan Theater Club Names First New Artistic Director in 53 Years by Michael Paulson

Nicki Hunter will succeed Lynne Meadow in December, taking charge of a major nonprofit that stages shows on and off Broadway.

SOURCE: The New York Times Subscription at 11:02am on September 25, 2025

Henry Jaglom, Indie Director Who Mined the Personal, Dies at 87 by Alex Williams

His discursive films, often centered on women and their emotions and relationships, confounded and delighted critics in equal measure.

SOURCE: The New York Times Subscription at 9:37pm on September 24, 2025

Why Did Apple Get Cold Feet About 'The Savant'? by Mike Hale

The company postpones a drama about domestic terrorism on its Apple TV+ streaming service.

SOURCE: The New York Times Subscription at 5:34pm on September 24, 2025

Andrew Lloyd Webber Reimagines 'Phantom of the Opera' With 'Masquerade' by Michael Paulson

A night out with the composer as he attended his latest project: "Masquerade," a $25 million reimagining of "The Phantom of the Opera."

SOURCE: The New York Times Subscription at 5:06am on September 24, 2025

'Mexodus' Tells an Underground Railroad Story You've Probably Never Heard by Sopan Deb

In this new hip-hop musical from Nygel D. Robinson and Brian Quijada, audiences hear a tale of reverse migration: Slaves leaving the United States for Mexico.

SOURCE: The New York Times Subscription at 12:24pm on September 22, 2025

'The Lowdown,' Plus 7 Things to Watch on TV this Week by Shivani Gonzalez

Ethan Hawke stars in a new FX show and "The Golden Bachelor" comes back for another season.

SOURCE: The New York Times Subscription at 10:03am on September 22, 2025

The Broadway Musical Is in Trouble by Michael Paulson

With the cost of staging song-and-dance spectacles skyrocketing and audiences drawn to older hits, none of the musicals that opened last season has made a profit. Fewer are planned this seas…

SOURCE: The New York Times Subscription at 5:18am on September 22, 2025

Gerald Arpino Brought 'Zah!' to Ballet. How Does His Work Hold Up? by Marina Harss and Elias Williams

The choreographer's dances were athletic, often sexy, and dealt with contemporary themes. A two-week festival of his work comes to the Joyce Theater.

SOURCE: The New York Times Subscription at 5:02am on September 22, 2025

Book Review: 'What's With Baum?,' by Woody Allen by Alexandra Jacobs

In "What's With Baum?," an anxious, jealous and thrice-married writer finds himself stranded in a culture that wants more "schmaltz," less "wisdom."

SOURCE: The New York Times Subscription at 5:02am on September 21, 2025

For Richard Thomas, Life Is Best Lived on a Stage by Kathryn Shattuck

"When I walk into a theater, I'm at home," the actor said. "And when I walk out on the stage, it's the most comfortable place for me to be."

SOURCE: The New York Times Subscription at 5:18am on September 20, 2025

'Saturday Church' Review: Saving Fabulous Souls to Sia's Music by Brittani Samuel and Sara Krulwich

A new musical pulled from the pop star's catalog among others, with a book from Damon Cardasis and James Ijames, tells the story of a Christian teen discovering ballroom and queer expression.

SOURCE: The New York Times Subscription at 5:18am on September 20, 2025

'Mexodus' Review: A History Musical With Thrilling Loop-the-Loops by Brittani Samuel

Brian Quijada and Nygel D. Robinson take viewers south on the Underground Railroad in this electric production that feels like a jam session.

SOURCE: The New York Times Subscription at 4:06pm on September 19, 2025

At New York City Ballet, Dusting off a Balanchine Jewel: 'Ballade' by Gia Kourlas

The next step, in the case of "Ballade," coached by its original ballerina, Merrill Ashley, is to keep it in the repertory. Especially with Mira Nadon in the lead.

SOURCE: The New York Times Subscription at 11:55am on September 19, 2025

Gianmarco Soresi Thrives Where Theater Kid and Club Comic Meet by Jason Zinoman

The stand-up's new YouTube special features a tight series of jokes that reflect a dramatic flair but also display his skill in a broad range of styles.

SOURCE: The New York Times Subscription at 5:03am on September 19, 2025

James Norton Wants to Keep Surprising You (and Himself) by Eleanor Stanford

The British actor, who stars in the new Netflix drama "House of Guinness," has a determination to avoid being typecast.

SOURCE: The New York Times Subscription at 5:02am on September 19, 2025
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