1,715 stories from Culture Bot
Playwrights Hansol Jung and Jeana Scotti on their two site-specific plays: "Last Call," and "Oh, Honey".
Letters From London dispatch #2 | Diving deep into the sensory heart of London's immersive art scene.
Kayla Farrish shared two new works, A Beast and DOCILE, at Kaatsbaan Cultural Park's Black Box Theatre
Editor Eve Bromberg in conversation with Playwright Kanika Asavari Vaish and Director Frankie DiCiaccio on 2nd Murderer at The Flea Theater.
Writer and playwright Elise Wien on Kanika Vaish's "2nd Murderer" at The Flea Theater.
Maia Sauer on Symara Sarai's "The LOVE Piece" at Danspace Project.
Patrick Denney reviews Romina Paula's play The Whole of Time, which played at The Brick Theater this past September
Dramaturg and writer Miranda Jackel discusses Robert Ashley's "experimental opera" CELESTIAL EXCURSIONS performed this past September at Roulette in Brooklyn.
Contributor Sophie Frizzell on the The Gerald Arpino Festival at The Joyce.
Brendan McCall reviews Tim Blake Nelson's newest play And Then We Were No More at La Mama.
Editor Eve Bromberg in conversation with choreographer and dance scholar Richard Move on their BAM debut of Martha@BAM, part of the 2025 Next Wave Festival.
Claudia Hilda is a dancer, choreographer, and creator of visual narratives from Cuba. Creating highly gestural scores, Hilda relies on the body to bring narratives. The body becomes storytel…
On the birth of a space for Ibraaz, Ibrahim Mahama's haunted parliament, and the conscience of London. Dear friend, Were you concerned I had not made it alive? What with the travel and the t…
The work of Naomi Wallace has mainly lived on the fringes of New York theatre. Perhaps because it is too sermonesque, too figmental, a little delusive. I read One Flea Spare as a teen and fo…
Actual transformation will generate friction and call for care; work will require rest, and resentments made will require dialogue.
 In Family (2013), a group of three half-siblings live together in their childhood home awashed with the traces of abuse withstood by their mothers at the hands of their father. One …
New York City is a big place, but among stormwater and land use obsessed artists, it's a fairly small world. Sabina Sethi Unni and I are bonded together as Culture Push Climate Justice Fello…
 "I think she's a fascist director" was the last statement I heard before everyone got inexplicably quiet. I'm not sure why we all got quiet. I was too busy trying to figure out who the …
When you realize this, it feels like a punchline finding its hit.
And rather than looking harder at the actual landscape, she urges the landscape painter to go faster, so that via their painting, she can catch a better glimpse, and better see what she is s…
Do acts of kindness beget rewards? Do we become deeper by adding depth to others? It is hard to say, actually; I think the verdict is still out. But we have all the evidence we need, from hi…
Billy McEntee's Slanted Floors is an intimate exploration of a couple, Kaplan and Teddy, as they go through their day apart and then come together at night. The twist? We don't watch from a …
Color Theories by Julio Torres is not an Off Broadway Play. It may look like a play, sound like a play, smell like a play, but Julio assures us, it's not a play. No no no, there was a mistak…
The Matriarchs: detailed, metatextual, instructive, joyful, pleasurable, cozy, unexpected, provocative, and confidently obsessed with the inner lives of women at the margins of a male-domina…
As a writer, my primary focus is the infrastructure " social and built "Â of New York City. This summer, I found myself in a predicament. I had the opportunity to interview one of our pre…
