DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
3,983 stories from http://www.theaterscene.net

The Mother by Victor Gluck, Editor-in-chief

Huppert, the consummate actress, commands the stage at all times, making all the other performers pale in comparison. As Anne, she travels from familiar to sarcastic to manic to depressed to…

SOURCE: www.theaterscene.net at 11:47pm on March 17, 2019

The Cake by Victor Gluck, Editor-in-chief

Brunstetter overloads the issue in the play by making Jen have doubts about being in love with a woman against her parents' religious teachings, even though she cannot imagine life without t…

SOURCE: www.theaterscene.net at 11:42pm on March 17, 2019

The Importance of Being Earnest: Two Ways by Darryl Reilly

It's billed as "Two Ways" because this event is comprised of differing versions performed in repertory. There is the self-explanatory "Conventional Casting" and the "Reversed Casting" where …

SOURCE: www.theaterscene.net at 6:23pm on March 16, 2019

Surely Goodness and Mercy by Victor Gluck, Editor-in-chief

Chisa Hutchinson's "Surely Goodness and Mercy" has its heart in the right place but as produced by Keen Company at the Clurman Theatre it is not a play at all but an after school movie scrip…

SOURCE: www.theaterscene.net at 11:39pm on March 14, 2019

A Jewish Joke by Joel Benjamin

"A Jewish Joke" brings immediacy to not only the personal and professional effects of the Hollywood blacklist, but to the current onslaught of internet finger-pointing and fear-mongering tha…

SOURCE: www.theaterscene.net at 5:08pm on March 14, 2019

Hatef**k by Darryl Reilly

There's stinging dialogue, solid construction and high powers of observation that accurately render the fractious literary milieu with Imran's offstage agent a major figure. These all enable…

SOURCE: www.theaterscene.net at 11:33pm on March 13, 2019

"Daddy" by Victor Gluck, Editor-in-chief

Jeremy O. Harris' "Daddy" is the work of a unique voice, a little self-indulgent in its length, and a little underwritten in its characterizations. It attempts to shock with its use of nudit…

SOURCE: www.theaterscene.net at 11:00pm on March 13, 2019

Fiercely Independent by Christopher Caz

Let's talk about the talent:  Gallogly and Smith are, in a word, fantastic in "Fiercely Independent." They listen to each other intently, their responses are spontaneous and natural, and …

SOURCE: www.theaterscene.net at 5:46pm on March 12, 2019

Boesman and Lena by Joel Benjamin

The production of "Boesman and Lena" at The Pershing Square Signature Center directed with attention to every detail by Yaël Farber is stark and unforgiving in a way that would have been …

SOURCE: www.theaterscene.net at 3:40pm on March 12, 2019

Chick Flick the Musical by Darryl Reilly

Suzy Conn's zesty score is a fusion of her peppy music and well-crafted lyrics. "Quandary" is rhymed with "laundry" and among the 14 bright songs there's a comical ode to Meryl Streep. Ms. C…

SOURCE: www.theaterscene.net at 12:06pm on March 12, 2019

If Pretty Hurts Ugly Must Be a Muhfucka by Darryl Reilly

Dynamically presented and sensationally performed, "If Pretty Hurts Ugly Must Be a Muhfucka" is playwright Tori Sampson's maddeningly overblown adaptation of a fable with music. A surfeit…

SOURCE: www.theaterscene.net at 2:44pm on March 11, 2019

Actually, We're F**ked by Evan Lambert

In between scenes, the play's lighting (by Paul Miller) and sound (by M.L. Dogg) conspire to create a hallucinogenic, disorienting slideshow of animals and rotting metropolises " a reminder …

SOURCE: www.theaterscene.net at 10:14pm on March 9, 2019

Sea Wall/A Life by Victor Gluck, Editor-in-chief

Both plays deal with young husbands who are coping with new fatherhood as well as their new responsibilities and their relationships with the dominant male figures in their lives. In Stephen…

SOURCE: www.theaterscene.net at 11:27pm on March 8, 2019

Rameau, Maître à Danser (Les Arts Florissants) by Joel Benjamin

Unlike the company's 2016 luxuriously staged "Les Fêtes Vénitiennes," also at the Gilman, "Rameau" was purposely staged by Sophie Daneman as if in a village square, simply but effectivel…

SOURCE: www.theaterscene.net at 5:14pm on March 7, 2019

Imagining Madoff by Darryl Reilly

Employing his rumbling deep voice, his thinning hair slicked back and veering from snarling cheeriness to reflective introspection, Jeremiah Kissel swaggering in a power suit gleefully gi…

SOURCE: www.theaterscene.net at 4:22pm on March 7, 2019

Hurricane Diane by David Kaufman

Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George's "Hurricane Diane," in which the God Dionysus or Bacchus, f…

SOURCE: www.theaterscene.net at 1:56pm on March 7, 2019

Death of a Driver by Mark Dundas Wood

The play is carefully plotted, and the tragic action that Snider builds runs its course in a logical, plausible fashion. But something about "Death of a Driver" never quite catches fire. The…

SOURCE: www.theaterscene.net at 4:20pm on March 5, 2019

Recent Alien Abductions by Darryl Reilly

Devilishly enigmatic and culminating in an eerie denouement, playwright Jorge Ignacio Cortiñas' stylized warring brothers yarn "Recent Alien Abductions" confidentially veers tonally, s…

SOURCE: www.theaterscene.net at 12:45pm on March 5, 2019

Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex by Victor Gluck, Editor-in-chief

Being described as a "theatre event," the unwieldy titled "Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex" is a throwback to the happenings and performance art of the 1960's, without h…

SOURCE: www.theaterscene.net at 11:14pm on March 4, 2019

Alice By Heart by Victor Gluck, Editor-in-chief

Molly Gordon and Colton Ryan in a scene from MCC Theater's new musical "Alice By Heart" (Photo credit: Deen van Meer) Victor Gluck, Editor-in-Chief MCC Theater has opened its second and larg…

SOURCE: www.theaterscene.net at 5:44pm on March 4, 2019

Dying in Boulder by Darryl Reilly

Lanford Wilson's celebrated humanistic style and spirit are wonderfully evoked by playwright Linda Faigao-Hall in her moving family drama "Dying in Boulder." Its articulate characters con…

SOURCE: www.theaterscene.net at 1:05pm on March 4, 2019

Brooklyn United Live by Karen McHenry

Brooklyn United Live's Finale Piece Heart-pounding rhythms, precision choreography, a thought-provoking storyline, and a megadose of energy and enthusiasm. That's what audience members exper…

SOURCE: www.theaterscene.net at 11:21am on March 3, 2019

Interview with Marc Sinoway by Evan Lambert

Another " and perhaps unexpected " benefit of having Nathan around was that Sinoway had a built-in support system on set. Once, when Sinoway was feeling overwhelmed during a tech rehearsal o…

SOURCE: www.theaterscene.net at 9:47pm on March 2, 2019

The Price of Thomas Scott by Victor Gluck, Editor-in-chief

However, the play may not be to the taste of regular Mint theatergoers as it seems much more dated that the usual lost masterpieces rediscovered at this esteemed venue. Thomas Scott is so ri…

SOURCE: www.theaterscene.net at 5:34pm on March 1, 2019

Twelfth Night (Frog & Peach Theatre Company) by Christopher Caz

As directed by Benson, special mention goes to Primack, Quint, Payne, and Wexler for their strong and playful commitment to their characters, followed by the efforts of Mazzoccone, Porter an…

SOURCE: www.theaterscene.net at 1:24pm on March 1, 2019
« Previous 25   Page 76 of 160   Next 25 »