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2,031 stories from The Theatre Times

"Orpheus and Eurydice:" A Bold Reimagining Through Circus and Opera by Alastair Blanshard

Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of Orpheus' descent into the underworld to retrieve his beloved Eurydice has fascinated people…

SOURCE: thetheatretimes.com at 2:20am on December 30, 2019

"OpeRamayana:" A New Approach to Teaching the Next Generation of Theatre-goers by Gowri S

Animal characters are protagonists in Crea-Shakthi's latest take on The Ramayana. Nala and Nila, the former credited as the engineer of the Rama Sethu (bridge), and the latter, the vanara…

SOURCE: thetheatretimes.com at 12:52am on December 30, 2019

Stop the World, I Want to Get Off! In "Exit Strategies," One Woman Leaves and Leaves Again by Sandra D'urso

To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost impossible for some. Exit Strategies is a new production by indie performer and theatre-maker Mis…

SOURCE: thetheatretimes.com at 2:48am on December 29, 2019

Augmented Reality or Augmented Space? by Anna Maria Monteverdi

Architectural mapping, façade projection, 3D projection videomapping, display surfaces, and architectural Vj set are some of the definitions used for a new artistic format and a …

SOURCE: thetheatretimes.com at 2:45am on December 29, 2019

Bringing a Greek Tragedy to 21st-Century Japan by Nobuko Tanaka

What is it about stories from the ancient world that attracts contemporary dramatists? One person well-placed to address that question is 37-year-old Japanese theater director Kunio Sugihara…

SOURCE: thetheatretimes.com at 10:37pm on December 27, 2019

Nostalgia on Parade: "White Christmas" on Tour in Boston by James Montaño

When the full company of the touring cast of Irving Berlin's White Christmas bursts into the title song at the show's finale, it is an exuberant moment of rich harmony and gorgeous staging"t…

SOURCE: thetheatretimes.com at 10:16pm on December 27, 2019

Sven Ratzke In "Where Are We Now?" At La MaMa by Jack Wernick

The ghost of David Bowie is alive and well and residing in the basement of La MaMa's Downstairs Theatre on East 4th Street in New York's East Village. Sven Ratzke is a Dutch-German performer…

SOURCE: thetheatretimes.com at 11:40pm on December 26, 2019

Terra Incognita Festival in Saint Petersburg, Russia by Waldemar Raźniak

It's in our laugh and in our tears And in the pulsation of our veins Change! We are longing for a change!  These were the first words we heard on the streets of St. Petersburg " played in…

SOURCE: thetheatretimes.com at 9:54pm on December 26, 2019

Live Your Life! : An Interview with Deborah Zoe Laufer by Merényi Ágnes

Interviewer: You had said once "My plays are generally about things that perplex me. And worry me… I never solve any problems. I usually wind up with more questions and uncertainty than I …

SOURCE: thetheatretimes.com at 9:54pm on December 25, 2019

Dr. Hoffmann's Sanatorium: Delving Deep into the Weird World of Kafka by Nobuko Tanaka

The starting point for Dr. Hoffmann's Sanatorium was, according to the play's Japanese creator, Keralino Sandorovich, the idea that "someone found an unpublished novel by the great Franz Kaf…

SOURCE: thetheatretimes.com at 9:27pm on December 25, 2019

The Puppets Are Changing: "The Weak Year" at The Academy of Theatre Arts in Wrocław by Katarzyna Waligóra

The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage on white pedestals of varying heights. In the middle, also on a pedestal, lies a small white…

SOURCE: thetheatretimes.com at 4:42am on December 25, 2019

"School Girls; or, The African Mean Girls Play" at the Pittsburgh Public Theater, Pittsburgh PA, USA by Wendy Arons

The title of Jocelyn Bioh's School Girls; or, The African Mean Girls Play tells you a certain amount about what to expect from this funny and surprisingly moving play. Like the Tina Fey movi…

SOURCE: thetheatretimes.com at 11:40pm on December 24, 2019

"We Need to Make Kathakali More Egalitarian": Interview with Peesappilly Rajeevan by Achuthan T K

Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs to be done to make the art form strike a chord with contemporary viewers. It will be too si…

SOURCE: thetheatretimes.com at 11:05pm on December 23, 2019

"Dance Nation" at Barebones Productions, Pittsburgh PA, USA by Wendy Arons

Allow me to introduce you to the fierce yet fragile preteens who populate Clare Barron's savagely wonderful play Dance Nation. There's Sofia (Mei Lu Barnum), that girl you knew in middle sch…

SOURCE: thetheatretimes.com at 10:32pm on December 23, 2019

"One Night in Miami…" at City Theatre, Pittsburgh, PA, USA by Wendy Arons

After he won the World Heavyweight Championship by roundly defeating Sonny Liston on February 25th, 1964, Cassius Clay celebrated his victory in private with three friends: R & B star Sa…

SOURCE: thetheatretimes.com at 4:12am on December 23, 2019

"Midnight Movie" at The Royal Court by Aleks Sierz

Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of the public will know her, and her actor husband Tom Penn, as the neighbor…

SOURCE: thetheatretimes.com at 11:34pm on December 21, 2019

"Judgement Day": Illusions of Grandeur by Jonathan Kalb

Two years ago, the British director Richard Jones brought a stunning production of Eugene O'Neill's The Hairy Ape to the Park Avenue Armory that set a new bar for theatrical use of that venu…

SOURCE: thetheatretimes.com at 11:32pm on December 21, 2019

Dressing Room with a Bathrobe and a Gas Mask. "Trump and the Field of Maize" at the Polski Theatre, Bydgoszcz by Maciej Guzy

Like two other plays that premiered this year, Agata Siniarska's You Are Safe, and The Last One directed by Romuald Krężel, Trump and the Field of Maze takes on climate change. PaweŅ

SOURCE: thetheatretimes.com at 5:28am on December 21, 2019

Capitalizing on the Pull of Experimental Japanese Theatre by Nobuko Tanaka

Shuntaro Matsubara's first contact with live theatre was in 2014, when he saw a production of German dramatist Bertolt Brecht's 1930 play Fatzer (aka Downfall of the Egotist Johann Fatzer) a…

SOURCE: thetheatretimes.com at 5:25am on December 21, 2019

Lucy McCormick: Post-Popular at Soho Theatre by Duška Radosavljević

Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all the women of history, as a means of finding her hero. All this " within about one hour, and …

SOURCE: thetheatretimes.com at 5:17am on December 21, 2019

"There Will Be No Intermission": Amanda Palmer Speaks Truth in Major Keys by Julian De Medeiros

Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an entirely new form of musical theatre, a 4-hour blisteringly personal monologue that ranges i…

SOURCE: thetheatretimes.com at 4:15am on December 20, 2019

Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body by Lisa Moravec

Researcher and critic Lisa Moravec explores how two performances of this year's ImPulsTanz, Vienna's International Dance Festival, challenge our understanding of a mechanized body-based poli…

SOURCE: thetheatretimes.com at 12:41am on December 20, 2019

Shelagh Delaney's "A Taste of Honey" at the Trafalgar Studios by Mert Dilek

It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This increasingly textured and knotty play, which received its first"and famous"staging in 1958,…

SOURCE: thetheatretimes.com at 1:00am on December 19, 2019

Time to Listen: Go For a Walk With Sounds Made By Migrant Domestic Workers by Ella Parry-davies

I'm not apologizing: this is going to take time. Visit a website. Choose an image: of a bag of rice, or a hibiscus flower, or a protest with a placard saying "Stop Racism." Download a soundt…

SOURCE: thetheatretimes.com at 10:25pm on December 18, 2019

"Inchoate Buzz:" A Testing Ground for Interaction and Interdisciplinarity by Lisa Moravec

How far can bodily interaction amongst the audience members, with performance objects, and with the performers go? Is it ok to be touched by and to touch what is available within a black box…

SOURCE: thetheatretimes.com at 10:19pm on December 18, 2019
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