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Review: A Sprawling 'Days to Come' Has Everything Except Central Figures by Laura Collins-Hughes

The Mint Theater Company's revival of Lillian Hellman's 1936 play is a mishmash of acting styles, tonally uneven and frustratingly unfocused.

SOURCE: The New York Times Subscription at 6:24pm on August 26, 2018 ☆ ⚑

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