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Salad Days " review by Michael Billington

Riverside Studios, LondonWho would have thought it? One of the strongest theatrical survivors of the mid-1950s turns out to be this whimsical musical by Julian Slade and Dorothy Reynolds about a magic piano that sets people dancing. And watching this immaculate revival by the small-scale opera company, Tête à Tête, one is forced to ask what the secret is of the show's enduring appeal.Partly it's the melodic …

SOURCE: The Guardian at 4:30pm on January 5, 2011

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