La La La Human Steps " review by Judith Mackrell

Sadler's Wells, LondonPurcell's Dido & Aeneas and Gluck's Orpheus & Eurydice must be the most choreographed operas in the repertory. Their buoyant, punchy baroque rhythms, and the simple arc of their plots, lend themselves naturally to dance. Canadian choreographer Édouard Lock joins the illustrious line of Balanchine, Bausch and Morris in tackling these two classics.But Lock is a refusenik when it comes to dance…

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