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The Veil " review by Michael Billington

Lyttelton, LondonConor McPherson has in the past shown a genius for investing the melancholy of modern Irish life with a sinister undertow. Now he has thrown caution to the winds by setting his new play in the period of the Protestant ascendancy and making the supernatural manifest. The result is a strange and baffling mixture of historical metaphor and intellectual melodrama suggesting a rewrite of The Cherry Orchar…

SOURCE: The Guardian at 6:08am on October 5, 2011

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