Play House/Definitely the Bahamas " review by Michael Billington

Orange Tree, RichmondThere's something old, something new in this double bill by Martin Crimp. What is odd is that the new piece, Play House, shows the mature Crimp evoking impassioned youth, while Definitely the Bahamas, first staged at the Orange Tree in 1987, is the young Crimp's beadily accurate account of rancorous middle age. Both plays are vivaciously performed under the author's direction, but, on balance, I&…

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