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The Drawer Boy " review by Michael Billington

Finborough, LondonForty years ago, a Toronto company created a devised play by sending a group of actors to live and work on farms in Ontario. That experience, a landmark in Canadian theatre, was the starting point for this 1999 play by Michael Healey, which, while derivative in more senses than one, raises a host of fascinating questions about the collision between art and reality.It begins with Miles, a naive …

SOURCE: The Guardian at 1:22pm on June 25, 2012

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