Tanztheater Wuppertal " review by Judith Mackrell

Sadler's Wells, London"I'm young. My ears hear promise, my eyes see dreams …" The opening words of Azusa Seyama's monologue set the tone for Vollmond (Full Moon), one of the last works ever made by Pina Bausch, and one in which the choreographer seems to have been liberating " and blessing " the energies of her youngest dancers.As the company launch into the familiar Bauschean world of ritualised courtship and con…

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