Ring " review by Lyn Gardner

Battersea Arts Centre, LondonIt's done with sound rather than smoke and mirrors. But the result is certainly unsettling in David Rosenberg and Glen Neath's 50-minute piece, played out in pitch darkness, which confuses the sense and plays tricks on the mind.We are given headphones and ushered into a hall. A man who identifies himself as Michael (Simon Kane) greets us. We are at some kind of meeting: something therapeu…

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