Molly Sweeney " review
The Print Room, LondonI was wrong about Brian Friel's play. Seeing it for the first time at the Almeida in 1994, I took it to be an arid replay of Friel's Faith Healer: again two men and a woman engage in monologues on the curative process. But although it is a play that asks whether seeing is to be equated with understanding, it also becomes, in Abigail Graham's incisive production, a play about a shared, profoundly…
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