Strange Interlude " review by Michael Billington

National Theatre, LondonEugene O'Neill's 1928 play is famous for many things: its inordinate length, its prolonged asides and its extensive portrait of one woman, Nina Leeds, over the course of 25 years. But Simon Godwin's nimble Lyttleton revival, the first in Britain since 1984, not only reduces O'Neill's baggy monster to a neat three-and-a-quarter hours, but suggests it is less a searing drama about Nina than a sp…

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