Incorruptible Flesh: Messianic Remains review a theatrical resurrection by Lyn Gardner

Ron Athey's oddly moving performance art piece makes us stare at our own mortalityAt first sight, the intricately tattooed naked male body trapped on the metal rack could be a corpse. Hooks in his cheeks pull back his skin and pinion him to the frame. On his chin there's an Egyptian-style beard, although it's unlikely that any Egyptian king went to the afterlife impaled on a baseball bat.There is both a vulnerability…

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