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Why necessity is the mother of inventive theatre by Lyn Gardner

A lack of resources can spur theatre companies on to greater creativity and engagement with different audiences Complicite's early shows evolved as much from a lack of resources as they did from a particular aesthetic, and it's been the same with plenty of other companies, from Improbable and Kneehigh to Little Bulb and Action Hero. That's not an argument for artists starving in garrets or being unable to access subs…

SOURCE: The Guardian at 3:54am on December 9, 2015

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