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Critic's Notebook: 'Sweeney Todd' and 'The Crucible': Not New, but Darkly Up-to-Date by Zachary Woolfe

Operatic performances of these works highlight the Glimmerglass Festival, while "Iris" serves as a kind of preview of the Bard Music Festival.

SOURCE: The New York Times Subscription at 5:50pm on July 25, 2016 ☆ ⚑

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