Private lives: the tricky ethics of confessional theatre
This year's Edinburgh fringe is full of personal stories and real-life drama, but not every production mines the lives of others with equal success"I'm just raw material," complains Alan Bennett's mother in The Lady in the Van when she sees her son scribble down something she has just said. She has good reason for the accusation. One of the threads in The Lady in the Van involves the tension between Bennett the write…
Please log in or create an account to report a problem with this listing.