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The best and worst of Broadway 2016: from innovation to ineptitude by Alexis Soloski

The year began downbeat and ended oddly, with Dear Evan Hansen and Heisenberg among the highlights as Cirque du Soleil fell flat with ParamourWhen history books come to discuss the Broadway year of 2016, expect some puzzlement. Some years tend to cohere around a few ideas or arguments. Some don't. In its latter half, this one has seemed unusually fragmented, wrenched between innovation and provocation on the one hand…

SOURCE: The Guardian at 6:54am on December 12, 2016

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