The Convert review " full-blooded, with a dash of melodrama
Gate, LondonA young woman's conversion to Catholicism in 19th-century Rhodesia speaks volumes in Danai Gurira's bold tale of oppression and identityThe Convert is enough to give historical drama a good name. With more bare breasts than bonnets, and a complicated intertwining of hope and betrayal, Danai Gurira's play wallops down with force. This is Christopher Haydon's last production as artistic director of the Gate…
Please log in or create an account to report a problem with this listing.