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1,308 stories by "Alexis Soloski"

'Between the World and Me': From Page to Stage to Screen by Alexis Soloski

An all-star cast came together, remotely and in socially distanced shoots, to turn Ta-Nehisi Coates's memoir into a vivid amalgam of art, music and performance for HBO.

SOURCE: The New York Times Subscription at 10:54am on November 18, 2020

'Who's Your Baghdaddy' Review: The Iraq War Set to Backpack Rap by Alexis Soloski

A musical satire reframes the origins of the invasion of Iraq as a story of bureaucratic bungles and spy games gone catastrophically wrong.

SOURCE: The New York Times Subscription at 3:48pm on November 10, 2020

Escape Rooms in an At-Home Era? Here's the Key by Alexis Soloski

The immersive games are reinventing for online, at-home play " which is no surprise, an industry expert said: "These folks are deeply creative, and they're scrappy."

SOURCE: The New York Times Subscription at 11:12am on November 5, 2020

Review: 'Crave' Is a Timely Ticket for a World on Fire by Alexis Soloski

Sarah Kane's 1999 play, performed live at the Chichester Festival Theater and available to stream this week, meditates on power and powerlessness, and makes specific devastation feel univers…

SOURCE: The New York Times Subscription at 1:36pm on November 4, 2020

'Hamilton' Was Just the Beginning. Hollywood Loves Broadway, Again. by Alexis Soloski

Theaters may be closed, but streamers and studios are flocking to the stage to meet the insatiable demand for content.

SOURCE: The New York Times Subscription at 6:42am on November 4, 2020

Review: 'What a Carve Up!' Is Wonderful. But Is It Theater? by Alexis Soloski

Three British companies reimagine a murder mystery for the virtual stage. Except there's no stage, and no part of it is live.

SOURCE: The New York Times Subscription at 4:18pm on November 2, 2020

David Henry Hwang's 'M. Butterfly' Followup: 'M. Turkey' by Alexis Soloski

The goal: a comedy about mistaken racial identity inspired by protests over "Miss Saigon." The result: a backstage farce that never got to opening night.

SOURCE: The New York Times Subscription at 11:03am on November 1, 2020

Halloween for Kids: Different This Year, but Still Delightful by Alexis Soloski

In New York, trick-or-treating has been curtailed, and parades called off. But there are plenty of ways to please and spook the little ones.

SOURCE: The New York Times Subscription at 7:42am on October 29, 2020

'Temping' Is a Workplace Drama for One. You're Hired. by Alexis Soloski

An immersive work at the Wild Project asks the sole audience member to consider the value of life while role playing as an office worker involved in calculating risk of death.

SOURCE: The New York Times Subscription at 2:36pm on October 20, 2020

'Utopia' Review: Charles L. Mee's New Play Is a Frothy Escape by Alexis Soloski

The playwright whips up a virtual ensemble of eccentrics, but his vision feels out of step with the moment.

SOURCE: The New York Times Subscription at 6:24pm on October 19, 2020

The Tonys are finally coming! What do this year's nominations tell us? by Alexis Soloski

A strange year for Broadway, with fewer shows than usual eligible for major awards, has brought up an equally strange, if intriguing, set of nominees "What?" James Monroe Iglehart said. "You…

SOURCE: The Guardian at 4:03pm on October 19, 2020

Seeking Pandemic Theater? Your Call Will Be Answered Shortly by Alexis Soloski

Two immersive audio pieces, in the form of an automated phone system and a play told as recordings from a grim future, talk about trying and failing to connect with others.

SOURCE: The New York Times Subscription at 2:24pm on October 13, 2020

A Writer-Director-Star Breaks Through. It Only Took a Lifetime. by Alexis Soloski

Radha Blank spent years trying to impress the theater world. Now, her Sundance hit, "The Forty-Year-Old Version," is proof that dreams don't expire.

SOURCE: The New York Times Subscription at 5:54am on October 8, 2020

Review: In 'The Journey,' Scott Silven Tours Your Mind by Alexis Soloski

Coronavirus travel restrictions don't prevent the mentalist from visiting your head in this hourlong online show.

SOURCE: The New York Times Subscription at 4:03pm on October 2, 2020

For These Shows, Take a Hike by Alexis Soloski

If you participate in a sound walk and no one is there to applaud, does it count as theater? Our critic argues that it does. Or at least that it can.

SOURCE: The New York Times Subscription at 3:02pm on September 11, 2020

There'll Be a Theater Season. But How and Where and When? by Alexis Soloski

Announcing stage productions, and timing, has become a matter of wishful thinking, guesswork and experimentation. Case in point: the no-show plan.

SOURCE: The New York Times Subscription at 5:54pm on September 1, 2020

How I Got My Kids Into Theater: Online Shows That Put Them to Work (and Play) by Alexis Soloski

Immersive productions " from a wizardly treasure hunt to tall tales by phone or email " keep a young audience both entertained and active.

SOURCE: The New York Times Subscription at 3:12pm on August 11, 2020

In These Immersive Shows, the Jury Is In (Your Home) by Alexis Soloski

Sifting evidence and debating whodunit with strangers turns out to be an especially successful way for theater to be enjoyed from a laptop.

SOURCE: The New York Times Subscription at 3:18pm on August 7, 2020

How I Spent My Summer Vacation: Singing, Dancing, Knife Fighting by Alexis Soloski

When actor training migrated online, our reporter gave herself two weeks to learn as many theater skills " and knife skills " as she could.

SOURCE: The New York Times Subscription at 9:18am on July 30, 2020

The Line review " moving drama pays tribute to pandemic first responders by Alexis Soloski

Available online The Public's emotive and effective hour-long play uses actors, including Lorraine Toussaint and Alison Pill, to share powerful testimonials In mid-March, when New York City …

SOURCE: The Guardian at 3:03pm on July 9, 2020

Theater's Next Act? A Show That's All in Your Head by Alexis Soloski

Immersive theater, timed and ticketed, has arrived in virtual reality. Is this a brave new pixelated world for live performance? Or just another app?

SOURCE: The New York Times Subscription at 1:06pm on July 8, 2020

'P-Valley' Dances to a Different Tune by Alexis Soloski

This new Starz drama is set in a strip club but "pulses with the female gaze," said the creator, Katori Hall. Its premise is that sex work is as worthy of exploration as any other kind of wo…

SOURCE: The New York Times Subscription at 2:48pm on July 7, 2020

Review: 'Les Blancs' Is an Anguished Play for an Anguished Moment by Alexis Soloski

This Lorraine Hansberry play, set in the 1960s in a fictional African country, speaks incisively to the American present.

SOURCE: The New York Times Subscription at 2:03pm on July 5, 2020

For the Actors of 'Take Me Out,' a Coming-Out Party Is Postponed by Alexis Soloski

Five were slated to make their Broadway debuts. Now? They're bunking with family, grappling with unemployment and fighting injustice.

SOURCE: The New York Times Subscription at 10:18am on June 24, 2020

Juilliard's Secret Weapon Keeps Actors on Their Toes by Alexis Soloski

Moni Yakim has taught movement at Juilliard since 1968. A new film captures his impact on scores of actors. "He's not a coddler," says Jessica Chastain.

SOURCE: The New York Times Subscription at 1:06pm on June 19, 2020
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