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1,308 stories by "Alexis Soloski"

Review: In 'Bat Out of Hell,' Paradise by the LED Light by Alexis Soloski

A post-apocalyptic Peter Pan story with book, music and lyrics by Jim Steinman is a masterpiece of overstatement. But try not to sing along.

SOURCE: The New York Times Subscription at 10:03pm on August 8, 2019

'Native Son' Review: A Big Story Made Smaller by Alexis Soloski

This fluid and nonlinear adaptation of Richard Wright's novel is brisk, but its theatrics upstage its implications.

SOURCE: The New York Times Subscription at 2:32pm on August 5, 2019

Review: In 3 Short Plays, the Art of Making Up and Breaking Up by Alexis Soloski

The second program of "Summer Shorts 2019," at 59E59 Theaters, is a patchy evening including a contribution by Neil LaBute.

SOURCE: The New York Times Subscription at 10:36pm on August 4, 2019

At These High-End Dinner Theaters, Classics Come With Crudités by Alexis Soloski

An adaptation of "A Midsummer Night's Dream" makes a picnic of pentameter, and decadent dining accompanies William Blake in "The Devouring."

SOURCE: The New York Times Subscription at 5:36pm on August 4, 2019

Men Who Aren't Afraid of Tears by Alexis Soloski

Jake Gyllenhaal and Tom Sturridge grapple with love, grief and vulnerability in "Sea Wall/A Life," paired one-act plays on Broadway.

SOURCE: The New York Times Subscription at 10:32am on July 31, 2019

Review: In 'Get on Your Knees,' a Comedian Goes There by Alexis Soloski

Jacqueline Novak's show, a stand-up comedy set that inclines toward theater, offers a personal and intellectual history of oral sex.

SOURCE: The New York Times Subscription at 10:06pm on July 22, 2019

From Russia, With Despair, Self-Loathing and Love by Alexis Soloski

What do two contemporary playwrights have in common with Anton Chekhov? A bunch.

SOURCE: The New York Times Subscription at 11:18am on July 18, 2019

Review: 2 Women in a Cell, Grasping for Sanity in 'No One Is Forgotten' by Alexis Soloski

This play, a response to the rise in the deaths of journalists, is a reminder that imprisonment can happen to anyone.

SOURCE: The New York Times Subscription at 11:48pm on July 12, 2019

They Didn't Speak for Nearly a Decade. Then They Made a Show About It. by Alexis Soloski

After starring together in "The Last Five Years" and "Dirty Rotten Scoundrels," Norbert Leo Butz and Sherie Rene Scott had a "fracture" in their relationship. How do you set that to music?

SOURCE: The New York Times Subscription at 1:54pm on July 8, 2019

David Cale Has a New Story to Tell: His Own by Alexis Soloski

In his musical memory play at the Public Theater, he's no longer being indirect about the violence that shaped, and shadowed, his life.

SOURCE: The New York Times Subscription at 3:03pm on July 3, 2019

Review: Criss Angel Goes Broadway, and the Blood and Spiders Follow by Alexis Soloski

What happens when the "Mindfreak" unplugs? A little less gore and a tribute to a magician who came before him. Plus: boob jokes.

SOURCE: The New York Times Subscription at 3:03pm on July 3, 2019

Review: In 'Leap,' a Quarter-Life Crisis Goes On for a Lifetime by Alexis Soloski

Chana Porter's absurdist take on "Peer Gynt" finds a young woman trying on new identities but finding that none quite fit.

SOURCE: The New York Times Subscription at 4:54pm on June 24, 2019

'Oh! Calcutta!' at 50: Still Naked After All These Years by Alexis Soloski

John Lennon and Sam Shepard wrote sketches. The cast was unclothed. And it went on to a two-decade Broadway run. An oral history of one of theater's unlikeliest hits.

SOURCE: The New York Times Subscription at 3:36pm on June 17, 2019

Review: In 'Pathetic,' a Retelling of Racine, Love Hurts by Alexis Soloski

Julia Jarcho's new play is a squirmy, sinister meditation on female desire, with a whiff of ancient Greece.

SOURCE: The New York Times Subscription at 1:18pm on June 16, 2019

The Secret Life of Bees review " sweet, buzzy musical is one to watch by Alexis Soloski

Linda Gross Theater at the Atlantic Theater Company, New York The latest from Spring Awakening's Duncan Sheik is a lush and emotionally impactful production with a smart book from Pulitzer p…

SOURCE: The Guardian at 6:06am on June 15, 2019

Michelle Wolf: 'My new period joke is for men " and they love it' by Alexis Soloski

The upfront standup took down Trump with a blistering routine at the White House correspondents' dinner. But she won't joke about him again Here are some things the comedian Michelle Wolf wo…

SOURCE: The Guardian at 7:18am on June 11, 2019

Why this year's Tony awards lacked that Broadway magic by Alexis Soloski

With most of the awards landing in predictable hands and a host who failed to add the requisite pizzazz, the annual Broadway love-in felt rather flat The 2019 Tony awards began with James Co…

SOURCE: The Guardian at 4:03pm on June 10, 2019

Review: 'Nomad Motel,' a Play With Vacancies by Alexis Soloski

In this untidy but often poignant drama, Carla Ching brings together the young and the rootless in Southern California.

SOURCE: The New York Times Subscription at 10:18pm on June 3, 2019

Bernadette Peters: 'Every role I've played, I've thought " that's me!' by Alexis Soloski

The Broadway powerhouse talks about trusting Sondheim, hearing others sing her songs and waiting to be taken seriously Cafe Luxembourg, the closet-sized New York bistro Bernadette Peters cho…

SOURCE: The Guardian at 4:42am on May 30, 2019

Bronx Gothic: one woman shaking oppression to the core by Alexis Soloski

Assaulting the audience with its 'twerking gone wrong', Okwui Okpokwasili's dance-theatre hybrid draws on difficult memories of her childhood Okwui Okpokwasili wants to shake you. Up and dow…

SOURCE: The Guardian at 6:48am on May 27, 2019

Review: In 'Lunch Bunch,' You Are What Eats You by Alexis Soloski

Sarah Einspanier's play centers on beleaguered public defenders trying to find ways to nourish themselves and maybe one another.

SOURCE: The New York Times Subscription at 4:06pm on May 22, 2019

3 Days in a Van With a Shakespeare Troupe. Daggers and Dunkin' Donuts. by Alexis Soloski

The intrepid young actors from Shakespeare & Company perform on a four month tour, not unlike the traveling players from Elizabethan times.

SOURCE: The New York Times Subscription at 2:32pm on May 22, 2019

How Annette Bening Puts It All Onstage. But Keeps Something for Herself. by Alexis Soloski

The film star is nominated for a Tony for "All My Sons," a play with which she has a personal connection.

SOURCE: The New York Times Subscription at 10:48am on May 17, 2019

Critic's Pick: Review: A Rollicking Trek 'Around the World in 80 Days' by Alexis Soloski

Laura Eason's adaptation of the Jules Verne novel is a reminder of how to make stage magic from simple elements.

SOURCE: The New York Times Subscription at 3:06pm on May 14, 2019

Review: In 'Hans Christian Andersen: Tales Real and Imagined,' No Happily Ever After by Alexis Soloski

The Ensemble for the Romantic Century's production synthesizes dramatic narrative with chamber music and some fantastic puppetry.

SOURCE: The New York Times Subscription at 10:18pm on May 5, 2019
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