Delving Into the Devices (Performative and Literal) of Richard Saudek's BEEP BOOP
Sad clowns, hobo clowns, birthday party clowns, crust-punk clowns, burning man hula hoopers dressed like clowns...juggalos! I don't consider myself any of them.
Sad clowns, hobo clowns, birthday party clowns, crust-punk clowns, burning man hula hoopers dressed like clowns...juggalos! I don't consider myself any of them.
My collaborators on Pillowtalk have pushed me to envision a different time and place: a beautifully queer place that simultaneously grounds us in the deeply dangerous reality of American cul…
Jess Applebaum gives a heads-up about Matthew Paul Olmos' so go the ghosts of méxico, part one at LaMama, opening April 11.
KJ Sanchez explores land, community and identity in her new solo Highway 47
Fusebox Festival blogger Shannon McCormick reporting from Austin, TX. For the past nine years, Austin's Fusebox Festival has sought to bring a sense of local, national, and international com…
Culturebot contributor Tim Braun reporting from Austin, TX. The city of Austin has a festival almost every week now. South by Southwest, Austin City Limits, The Moontower Comedy Festival…
Culturebot contributor Tim Braun sends this report from SXSW in Austin, TX.
This week and next, March (14-17 and 21-24) the Massachusetts-based No Theater return to New York City to perform Richard Maxwell's Caveman at The Performing Garage ~ 33 Wooster Street T…
My experience of Leev Theater Group's Hamlet, Prince of Grief (which runs through January 20th at Under the Radar) began as soon as I unwrapped myself from my winter gear and found a good an…