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22 stories by "Jon Pareles"

Critic's Notebook: In 'A Star Is Born,' Lady Gaga Pits Pop Against Authenticity by Jon Pareles

The movie reflects a battle that's played out in her own career, between the perceived ephemerality of pop and the assumed durability of "real" music.

SOURCE: The New York Times Subscription at 1:16pm on October 8, 2018[SHARE]

The Boss on Broadway: Bruce Springsteen on His 'First Real Job' by Jon Pareles

It's not a small rock show or a theatrical event. Inspired by a White House concert, one of rock's celebrated storytellers is bringing his tales to a new stage.

SOURCE: The New York Times Subscription at 11:18am on September 27, 2017[SHARE]

Dapper as Ever, Kid Creole Dresses Up His Songs for a New Musical by Jon Pareles

The musical, at La MaMa, uses songs from Kid Creole and the Coconuts and tells an old-fashioned tale.

SOURCE: The New York Times Subscription at 8:55am on May 19, 2016[SHARE]

Rock 'n' Rollers Salute Their Own by Jon Pareles

The hall's latest inductees include Tom Waits, Dr. John, Neil Diamond, Darlene Love and Alice Cooper.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015[SHARE]

Courtney Love Prepares for 'Kansas City Choir Boy' by Jon Pareles

Courtney Love's latest and thoroughly unexpected gig is the music-theater piece "Kansas City Choir Boy."

SOURCE: The New York Times Subscription at 6:57pm on January 1, 2015[SHARE]

Music Review: The Temptations and the Four Tops Hit Broadway by Jon Pareles

Today's lineups of the Temptations and the Four Tops share a seven-night stand on Broadway.

SOURCE: The New York Times Subscription at 5:06pm on December 30, 2014[SHARE]

Rain Cuts Short Once-in-a-Generation Performance of 'Hommy' by Jon Pareles

The first performance in 40 years of "Hommy: A Latin Opera," a 1973 album by Larry Harlow's group Orchestra Harlow meant as a salsa rejoinder to the Who's "Tommy," was stopped halfway throug…

SOURCE: The New York Times Subscription at 12:35am on July 24, 2014[SHARE]

Sting Frees Himself With the Writing of 'The Last Ship' by Jon Pareles

Sting broke his songwriter's block by focusing on a show, "The Last Ship," which he hopes will reach Broadway.    

SOURCE: The New York Times Subscription at 8:00am on September 12, 2013[SHARE]

CMJ: It Begins. Brace Yourselves. by Jon Pareles

More than 1,300 musical acts will hit the stage in New York. Times critics will try to keep up.

SOURCE: The New York Times Subscription at 12:51pm on October 16, 2012[SHARE]

Roger Waters Points 'The Wall' Toward Abuse of Power by Jon Pareles

Roger Waters projected his message stadium-wide, literally, when he brought his new production of "The Wall" to Yankee Stadium on Friday, starting a two-night stand.

SOURCE: The New York Times Subscription at 5:46am on July 7, 2012[SHARE]

Playing Up the Music in That Musical by Jon Pareles

Bono and the Edge have been hard at work, with both U2 and last-minute preparations for the opening of "Spider-Man: Turn Off the Dark."

SOURCE: The New York Times Subscription at 12:35pm on June 13, 2011[SHARE]

Lollapalooza Chile: Tough Women Rappers, Jane's Addiction and Polite Dancers by Jon Pareles

Latin America loves smart, tough women rappers: Anita Tijoux on Saturday and, on Sunday afternoon, Mala Rodríguez from Spain.

SOURCE: The New York Times Subscription at 10:49am on April 4, 2011[SHARE]

Lollapalooza Chile: A World-Class Party Band by Jon Pareles

Chico Trujillo, a local favorite, relies on cumbia, the beat heard in countless variations across Latin America.

SOURCE: The New York Times Subscription at 1:09am on April 4, 2011[SHARE]

Lollapalooza Chile: All About the Details by Jon Pareles

Lollapalooza Chile has some parallels with its Chicago predecessor.

SOURCE: The New York Times Subscription at 2:48am on April 3, 2011[SHARE]

Lollapalooza in Chile, a Different Chi-Town by Jon Pareles

The headliners for Lollapalooza Chile include Kanye West, the Killers, the Deftones and Jane's Addiction, of course.

SOURCE: The New York Times Subscription at 9:53am on April 2, 2011[SHARE]

SXSW, Brought to You by G.O.O.D. by Jon Pareles

Kanye West and corporate sponsors staged a gargantuan late-night event on Saturday, which for most was the final show of South by Southwest.

SOURCE: The New York Times Subscription at 12:23am on March 21, 2011[SHARE]

A Range of Styles in Three Performances by Jon Pareles

Three SXSW performances, with three different personalities.

SOURCE: The New York Times Subscription at 4:22pm on March 19, 2011[SHARE]

The Full-Album Set Is a Plus for Fans and Bands by Jon Pareles

Such performances offer a sense of discovery for listeners and musicians.

SOURCE: The New York Times Subscription at 2:56pm on March 18, 2011[SHARE]

Capitalizing on South by Southwest's Credibility by Jon Pareles

OFWGKTA's performance at South by Southwest was one more instance of outsiders' music burnishing a corporate image--a big part of SXSW's recent history.

SOURCE: The New York Times Subscription at 6:41am on March 18, 2011[SHARE]

Bob Geldof Says 'Hyperdemocracy' Is Overhyped by Jon Pareles

In the keynote address at the South by Southwest festival in Austin, Tex., Bob Geldof dismissed the idea of "hyperdemocracy" by way of the Internet so long as music today is absent of a wide…

SOURCE: The New York Times Subscription at 2:57pm on March 17, 2011[SHARE]

South by Southwest: The Din of Business Meeting Pleasure by Jon Pareles

Even on its anniversary, the festival faces forward. There are new bands to hear, new gambits to observe. I'll be blogging and Tweeting here.

SOURCE: The New York Times Subscription at 6:56am on March 17, 2011[SHARE]

Beyoncé and Taylor Swift Offer Thanksgiving Specials by Jon Pareles

Thanksgiving night brought successive specials by Taylor Swift and Beyoncé, both featuring billowing golden hair, live performances and pop image-polishing.

SOURCE: The New York Times Subscription at 9:55pm on November 25, 2010[SHARE]
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