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174 stories by "Laura Cappelle"

Bringing Consent to Ballet, One Intimacy Workshop at a Time by Laura Cappelle

Touch is a requirement of a dancer's job. Now when choreography involves simulated sex or violence, some companies are bringing in intimacy directors.

SOURCE: The New York Times Subscription at 10:00am on April 13, 2022[SHARE]

A Director Returns (Uncomfortably) to His Working-Class Roots by Laura Cappelle

Christophe Honoré's latest work, for the Paris stage, is part of a recent wave of stories in France about the complex aftereffects of social mobility.

SOURCE: The New York Times Subscription at 5:33am on March 31, 2022[SHARE]

Onstage, the French Election Is a Landslide Win for Cynicism by Laura Cappelle

As the presidential vote approaches, theaters and comedy venues are addressing the campaign. Many shows reach a similar conclusion: Don't trust politicians.

SOURCE: The New York Times Subscription at 4:42am on March 10, 2022[SHARE]

This Play Is Touring Europe. But No One's Going Anywhere. by Laura Cappelle

How can theaters adapt to prevent climate change? The British director Katie Mitchell and a Swiss playhouse have developed a new model for taking a production on the road.

SOURCE: The New York Times Subscription at 9:24am on March 3, 2022[SHARE]

Monica Bellucci: 'If your work is just about beauty, you won't last five minutes' by Laura Cappelle

She studied law, became a model, and then starred in everything from arthouse films to blockbusters. Now the multilingual Italian actor is overcoming a lifetime of stage fright to play opera…

SOURCE: The Guardian at 1:18am on March 2, 2022[SHARE]

Looking Straight at the Struggles of Old Age by Laura Cappelle

In two Paris theater productions, there's no sugarcoating the physical decline that comes at the end of a long life.

SOURCE: The New York Times Subscription at 4:42am on February 17, 2022[SHARE]

Alexander Zeldin: 'We need to find a way to talk about things we don't want to see' by Laura Cappelle

The playwright found acclaim with works about the devastation caused by austerity. He returns with a drama exploring the realities of ageing There is one no-no in an Alexander Zeldin rehears…

SOURCE: The Guardian at 2:48pm on February 4, 2022[SHARE]

'I know what anxiety is. And guilt': Florian Zeller on his nightmarish new play by Laura Cappelle

The French prodigy, who won an Oscar for The Father, talks about The Forest, his labyrinthine new drama following a man whose life unravels after an affair Florian Zeller has made a speciali…

SOURCE: The Guardian at 8:03am on January 31, 2022[SHARE]

Martyrs, Converts and Pious Frauds: Religion Takes Center Stage by Laura Cappelle

Three Paris productions " including Ivo van Hove's take on "Tartuffe" at the Comédie-Française " explore questions of the divine.

SOURCE: The New York Times Subscription at 5:48am on January 27, 2022[SHARE]

Review: A Skilled Ballet Leader Creates a Messy 'Raymonda' by Laura Cappelle

Tamara Rojo, San Francisco Ballet's incoming artistic director, has half updated the 19th-century work for English National Ballet.

SOURCE: The New York Times Subscription at 11:41am on January 19, 2022[SHARE]

Paris's 'House of Molière' wishes happy 400th birthday to French theatre legend by Laura Cappelle

The Comédie-Française is celebrating the 17th-century dramatist by recreating Tartuffe, the play that outraged the Catholic church and almost ended his career French theatre is gearing u…

SOURCE: The Guardian at 10:54am on January 10, 2022[SHARE]

'Emily in Paris' Isn't the Only Clichéd Show in This Town by Laura Cappelle

Netflix doesn't qualify as a solo offender when it comes to Gallic stereotypes, as three musical theater works on the city's stages show.

SOURCE: The New York Times Subscription at 4:42am on January 6, 2022[SHARE]

Wajdi Mouawad's 'Mother': Was It Worth It? by Laura Cappelle

By asking the singer Bertrand Cantat to contribute to his latest show, the director Wajdi Mouawad has overshadowed his own production.

SOURCE: The New York Times Subscription at 2:42am on December 3, 2021[SHARE]

At 80, Robert Wilson Holds On to a Singular Vision for the Stage by Laura Cappelle

Slowed but not stopped by the pandemic, Wilson has had a busy fall that continues with his production of "Turandot" at the Paris Opera.

SOURCE: The New York Times Subscription at 11:42am on November 30, 2021[SHARE]

On Paris Stages, Black Directors Forge a New Course by Laura Cappelle

Representation for dramatic artists of color is improving, but few Black creators get to be their own bosses. Two recent productions show what France's mainstream theater is missing.

SOURCE: The New York Times Subscription at 11:18pm on November 11, 2021[SHARE]

The Moment of Death, Live Onstage by Laura Cappelle

The Swiss provocateur Milo Rau's latest work explores the ethics of voluntary euthanasia with real footage of an assisted suicide.

SOURCE: The New York Times Subscription at 4:54am on October 21, 2021[SHARE]

He Speaks Theater's Language (and Many Others, Too) by Laura Cappelle

Tiago Rodrigues, the newly appointed director of the Avignon Festival, will make his American debut, in English, with a work he has also performed in French, Greek, Portuguese, Russian and S…

SOURCE: The New York Times Subscription at 8:24am on October 1, 2021[SHARE]

Young Women Set the Tone for a Paris Theater Season by Laura Cappelle

The directors staging the most ambitious premieres are all female millennials.

SOURCE: The New York Times Subscription at 5:42am on September 30, 2021[SHARE]

'Andy,' Gus Van Sant's Warhol Musical, Is a Surprise but Not a Miracle by Laura Cappelle

The film director set himself a steep challenge in his debut stage work. At least for now, he hasn't quite met it.

SOURCE: The New York Times Subscription at 10:18am on September 24, 2021[SHARE]

This Theater Brings Nature Right Into the Drama by Laura Cappelle

A lush forest makes a spectacular backdrop for the stage of the Théâtre du Peuple, in western France.

SOURCE: The New York Times Subscription at 5:54am on September 2, 2021[SHARE]

Finding a New Theater Audience, Far From France's Cities by Laura Cappelle

In rural gardens, forests and public squares, young stage artists fed up with the country's rigid scene are striving for diversity and spontaneity.

SOURCE: The New York Times Subscription at 4:42am on August 12, 2021[SHARE]

Avignon Festival Forges Ahead, Despite Virus Restrictions by Laura Cappelle

The French theater festival's Fringe offering is giving some respite from the pandemic, even as new rules to stop coronavirus transmission are making it harder to get to the shows.

SOURCE: The New York Times Subscription at 5:24am on July 22, 2021[SHARE]

At the Avignon Festival, a Bleak Start by Laura Cappelle

Grief. Rising fascism. Utopias gone wrong. The plays were grim in the early days of the annual theater event in France.

SOURCE: The New York Times Subscription at 4:32am on July 8, 2021[SHARE]

For Angélica Liddell, Each Performance is About Survival by Laura Cappelle

Angélica Liddell says she doesn't care about looking good onstage. Instead, her visceral works give her catharsis that she says keeps her alive.

SOURCE: The New York Times Subscription at 8:24am on July 2, 2021[SHARE]

In Paris, Brexit Takes to the Stage by Laura Cappelle

"Exit," a new musical production, uses the political drama both as a metaphor and as a backdrop for a cross-continental love triangle.

SOURCE: The New York Times Subscription at 4:42am on June 24, 2021[SHARE]
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