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473 stories by "Mark Lawson"

Michael Grandage: flops, spats and spliffs by Mark Lawson

Actors on drugs, a booze ban for Derek Jacobi, stars not speaking … as his Midsummer Night's Dream hits the stage, director Michael Grandage tells Mark Lawson his highs and lowsReading a n…

SOURCE: The Guardian at 3:00am on September 10, 2013

Falling stars: what happens when stage actors are a no-show? by Mark Lawson

From a vanishing Hayley Atwell to a script-reading Oedipus, welcome to the season of the understudyA surprise piece of computer dialogue greets anyone buying tickets online for the current r…

SOURCE: The Guardian at 12:07pm on September 3, 2013

Theatre tickets: when did they become so expensive? by Mark Lawson

Premium tickets over £100. A £1,500 access-all-Ayckbourn luxury package. £10,000 for lunch with the director of the National. Welcome to the curious world of the 'premium' theatre t…

SOURCE: The Guardian at 2:00pm on July 29, 2013

Why the National Theatre could use a history lesson from Richard Eyre by Mark Lawson

A prescient memoir by the theatre's former chief suggests that when it comes to this prestigious yet demanding post, candidates have always been thin on the groundWhen Ronald Reagan was shot…

SOURCE: The Guardian at 3:30am on July 12, 2013

When the script doesn't live up to the staging by Mark Lawson

Four recent shows show how design razzmatazz can charm the senses " and also draw attention to holes in the writingIn cinema, the term "high production values" has long been code for the sor…

SOURCE: The Guardian at 8:00am on July 5, 2013

Has David Mamet lost the plot? by Mark Lawson

David Mamet has now had six box-office letdowns in a row. Is Broadway's insatiable desire for big talking-point plays to blame?Critics often commend theatres for going off-piste and staging …

SOURCE: The Guardian at 3:00pm on June 12, 2013

Long live Viva Forever! and the tradition of musical flops by Mark Lawson

Mamma Mia! it wasn't, but at least Judy Craymer's Spice Girls stageshow escaped the fate of the musical Kelly, which closed on opening nightThe plot of Mel Brooks's 1968 movie The Producers …

SOURCE: The Guardian at 12:20pm on May 3, 2013

Hytner's National Theatre: who should run it next? by Mark Lawson

Nicholas Hytner is stepping down as artistic director of the National Theatre. Who will take his place? It's a crowded field " with some surprise inclusionsThe National Theatre's artistic di…

SOURCE: The Guardian at 6:39am on April 11, 2013

The final curtain: how best to bid farewell to much-loved actors? by Mark Lawson

The stage world's response to the death of Richard Griffiths shows certain theatrical traditions have an enduring relevanceA friend who went to see the Alan Bennett double bill Untold Storie…

SOURCE: The Guardian at 10:07am on April 8, 2013

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title?With a new play, audiences never quite know what …

SOURCE: The Guardian at 7:17am on April 1, 2013

The name game: do play titles matter? by Mark Lawson

Audiences today often don't know the name of a play until just before its run starts. But would you book a ticket for a show without a title? Continue reading...

SOURCE: The Guardian at 7:17am on April 1, 2013

Why Chekhov has never been busier by Mark Lawson

With only four great plays to Chekhov's name, what are British theatres to do? Write some new ones, of course ...In the days when record shops existed widely, music fans were prone " as Nick…

SOURCE: The Guardian at 9:26am on March 20, 2013

Charm offensive: The Book of Mormon comes to London by Mark Lawson

Taboo-busting musical The Book of Mormon isn't anti-Mormon: it also has Jews, Starbucks, gay people and Africans in its sights. As the show debuts in London, Mark Lawson asks its American st…

SOURCE: The Guardian at 3:30pm on March 12, 2013

Theatre about theatre shows there's no business like show business by Mark Lawson

A Chorus Line " being revived in London " is one of several successful shows that put the focus on theatre itselfReaders and critics are traditionally sniffy about novels about novelists: a …

SOURCE: The Guardian at 4:30am on March 8, 2013

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage productionNormally the question star-seeking theatregoers ask is "Who's in it?" …

SOURCE: The Guardian at 12:39pm on March 1, 2013

It's hard not to groan when a star pulls out by Mark Lawson

No matter how good the understudy, the withdrawal of a leading name is almost inevitably bad news for a stage production Continue reading...

SOURCE: The Guardian at 12:39pm on March 1, 2013

Age on stage: how actors and plays depict the passing of the years by Mark Lawson

Stage actors " with minimal scope for makeup or prosthetics between scenes " tend to find it easier to age down than upThere are various ways of measuring a play: the number of characters or…

SOURCE: The Guardian at 12:03pm on February 21, 2013

Authors in search of a character: when playwrights stage themselves by Mark Lawson

With Hymn and Cocktail Sticks, Alan Bennett joins a tradition " including Dario Fo and David Hare " of writers putting versions of themselves into the frayAn American TV viewer once wrote to…

SOURCE: The Guardian at 11:09am on February 11, 2013

Waiting in the wings: when off-stage characters take over by Mark Lawson

From Simon Gray to Alan Ayckbourn, many playwrights have kept their most interesting roles out of sight " but very much in mindRowan Atkinson dominates the posters for a West End production …

SOURCE: The Guardian at 11:57am on January 28, 2013

Which theatre audiences are the most demanding? by Mark Lawson

Are rich patrons easier to entertain? And are those in the cheap seats more discerning?Coughing, texting, talking and rustling sweets are all ways in which audiences can affect a performance…

SOURCE: The Guardian at 9:38am on January 21, 2013

Who'd have a career as a playwright? by Mark Lawson

From John Osborne to Howard Brenton, many fine playwrights have suffered periods of neglect " but, as Peter Nichols's resurgence shows, dramatic fortunes can rise as well as fallIt's notorio…

SOURCE: The Guardian at 3:05am on January 11, 2013

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swimsStephen Sondheim's …

SOURCE: The Guardian at 5:44am on January 1, 2013

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swims Continue reading...

SOURCE: The Guardian at 5:44am on January 1, 2013

The rise and rise of the one-star theatre review by Mark Lawson

Rarely have theatre critics doled out so many ill-starred reviews, from the Donmar's Julius Caesar to the Spice Girls' Viva Forever!. Strangely, sometimes producers rely on themAlthough it's…

SOURCE: The Guardian at 10:54am on December 19, 2012

Naked appeal: is it OK to find actors attractive? by Mark Lawson

New West End shows The Bodyguard and Viva Forever! feature plenty of female whooping at male nudity. Would it be acceptable the other way around?Is it all right for theatregoers to be sexual…

SOURCE: The Guardian at 12:04pm on December 12, 2012
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