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456 stories by "Mark Lawson"

Authors in search of a character: when playwrights stage themselves by Mark Lawson

With Hymn and Cocktail Sticks, Alan Bennett joins a tradition " including Dario Fo and David Hare " of writers putting versions of themselves into the frayAn American TV viewer once wrote to…

SOURCE: The Guardian at 11:09am on February 11, 2013[SHARE]

Waiting in the wings: when off-stage characters take over by Mark Lawson

From Simon Gray to Alan Ayckbourn, many playwrights have kept their most interesting roles out of sight " but very much in mindRowan Atkinson dominates the posters for a West End production …

SOURCE: The Guardian at 11:57am on January 28, 2013[SHARE]

Which theatre audiences are the most demanding? by Mark Lawson

Are rich patrons easier to entertain? And are those in the cheap seats more discerning?Coughing, texting, talking and rustling sweets are all ways in which audiences can affect a performance…

SOURCE: The Guardian at 9:38am on January 21, 2013[SHARE]

Who'd have a career as a playwright? by Mark Lawson

From John Osborne to Howard Brenton, many fine playwrights have suffered periods of neglect " but, as Peter Nichols's resurgence shows, dramatic fortunes can rise as well as fallIt's notorio…

SOURCE: The Guardian at 3:05am on January 11, 2013[SHARE]

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swimsStephen Sondheim's …

SOURCE: The Guardian at 5:44am on January 1, 2013[SHARE]

Sondheim and the art of revival: how a show that first flops becomes a hit by Mark Lawson

As Merrily We Roll Along extends its run at the Menier Chocolate Factory, Stephen Sondheim offers rare proof that it's possible to create a show that sinks before it swims Continue reading...

SOURCE: The Guardian at 5:44am on January 1, 2013[SHARE]

The rise and rise of the one-star theatre review by Mark Lawson

Rarely have theatre critics doled out so many ill-starred reviews, from the Donmar's Julius Caesar to the Spice Girls' Viva Forever!. Strangely, sometimes producers rely on themAlthough it's…

SOURCE: The Guardian at 10:54am on December 19, 2012[SHARE]

Naked appeal: is it OK to find actors attractive? by Mark Lawson

New West End shows The Bodyguard and Viva Forever! feature plenty of female whooping at male nudity. Would it be acceptable the other way around?Is it all right for theatregoers to be sexual…

SOURCE: The Guardian at 12:04pm on December 12, 2012[SHARE]

War of the sexes: why Shakespeare's parts aren't just for men by Mark Lawson

Saying all-female productions are inauthentic misses the point " Shakespeare's plays have always been gender-bendingThe acting editions published by Samuel French have traditionally specifie…

SOURCE: The Guardian at 8:57am on December 4, 2012[SHARE]

Why theatre awards are the hardest to give by Mark Lawson

The Evening Standards' honouring of individual stars such as Simon Russell Beale and Lolita Chakrabarti belies the fact that their productions were ensemble effortsJames Corden began Sunday …

SOURCE: The Guardian at 7:28am on November 28, 2012[SHARE]

Translating The Seagull: how far can you push Chekhov? by Mark Lawson

Anya Reiss's new version modernises The Seagull and transplants it to the Isle of Wight. Does the language suffer " and how respectful should adaptations be?Just before seeing a new version …

SOURCE: The Guardian at 10:11am on November 19, 2012[SHARE]

Scene changes " the traffic jams of theatre by Mark Lawson

Theatres can't keep asking us to hang about in the dark while actors move house. We may as well go to the cinemaAll performers hope for applause " but the new London West End production of U…

SOURCE: The Guardian at 8:33am on November 13, 2012[SHARE]

Showstopping: why Broadway audiences applaud too often by Mark Lawson

It's the done thing on Broadway to shower star names with applause the moment they enter. I can't be the only one to find this tradition ridiculousOn a recent trip to New York, I was depress…

SOURCE: The Guardian at 11:38am on November 5, 2012[SHARE]

How The River shows the power of a theatre programme by Mark Lawson

Like many a printed companion to a play, this column contains spoilers " namely, how dramatists sometimes use programmes to keep audiences in the darkFirst, a warning that this column contai…

SOURCE: The Guardian at 9:17am on October 30, 2012[SHARE]

Theatre should turn its back on blackface by Mark Lawson

The idea of white actors making themselves up as black is shocking to most of us " and yet a theatre in Germany has seen fit to continue the tradition. Why? Continue reading...

SOURCE: The Guardian at 10:27am on October 23, 2012[SHARE]

Theatre should turn its back on blackface by Mark Lawson

The idea of white actors making themselves up as black is shocking to most of us " and yet a theatre in Germany has seen fit to continue the tradition. Why?Most news stories " government in …

SOURCE: The Guardian at 10:27am on October 23, 2012[SHARE]

Mark Gatiss: off with his head! by Mark Lawson

He writes for Doctor Who and Sherlock " now Mark Gatiss is starring as Charles I on stage. He talks to Mark Lawson about overreaching royals, bad auditions and why he's the man to play Jerem…

SOURCE: The Guardian at 1:59pm on October 21, 2012[SHARE]

When theatre takes its cue from radio by Mark Lawson

Radio is a great place to push the boundaries of drama, for playwrights and audiences alike " as recent productions testifyFor a long time, many London West End openings " think Ghost: The M…

SOURCE: The Guardian at 3:05am on October 16, 2012[SHARE]

Caryl Churchill, by the people who know her best by Mark Lawson

Her plays arrive fully formed " and she refuses to talk about what they mean. Mark Lawson talks to actors, directors and her publisher about what really makes Churchill tickSince the death o…

SOURCE: The Guardian at 1:44pm on October 3, 2012[SHARE]

Why star casting in theatre isn't the answer by Mark Lawson

Casting well-known names from TV or film has become a sure-fire way of generating ticket sales. But it blinds us to the true depth and breadth of British theatreAlthough theatre reviewing ha…

SOURCE: The Guardian at 11:36am on October 3, 2012[SHARE]

Why star casting in theatre isn't the answer by Mark Lawson

Casting well-known names from TV or film has become a sure-fire way of generating ticket sales. But it blinds us to the true depth and breadth of British theatre Continue reading...

SOURCE: The Guardian at 11:36am on October 3, 2012[SHARE]

How I learned to love immersive theatre by Mark Lawson

I'd always been sceptical of site-specific and non-text-based theatre, but Robert Wilson's astonishing Walking won me overAs readers rapidly come to suspect, critics tend to have their preju…

SOURCE: The Guardian at 10:20am on September 20, 2012[SHARE]

Is interviewing playwrights always a good idea? by Mark Lawson

Some dramatists, such as Caryl Churchill and Debbie Tucker Green, refuse point blank to talk about their work. Is this vow of silence defensible " or detrimental?Before the opening of a new …

SOURCE: The Guardian at 11:21am on September 12, 2012[SHARE]

The Donmar's new scheme is just the ticket by Mark Lawson

It's a paradox that the more successful a show or theatre, the more difficult it is to get a ticket. Has Josie Rourke found a cure?Is it possible for a theatre to become too successful? Over…

SOURCE: The Guardian at 6:39am on September 4, 2012[SHARE]

Solo Suggs, soliloquising soldiers: the performers who go it alone by Mark Lawson

From Madness frontman Graham McPherson to Falklands veteran Ken Lukowiak, solo shows are all the rage right now. But what makes this the moment of the monologue?It's often been said that eve…

SOURCE: The Guardian at 5:25am on August 30, 2012[SHARE]
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