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2,436 stories by "Michael Billington"

The Magna Carta Plays review " Brenton and friends riff on ancient democracy by Michael Billington

Salisbury Playhouse Four short plays set corrupt Russians, a African president and free-market dystopia against our rights, suggesting Magna Carta may be due an update"Does Magna Carta mean …

SOURCE: The Guardian at 9:07am on October 26, 2015

Billy Elliot, Victoria Palace, London by Michael Billington

Victoria Palace, LondonTurning small-scale movies into big musicals is a treacherous business. It failed with The Full Monty, which lost all of its gritty truth when musicalised. But Billy E…

SOURCE: The Guardian at 12:28am on October 24, 2015

Theatre review: The Lord of the Rings / Theatre Royal, Drury Lane, London by Michael Billington

Theatre Royal, Drury Lane, LondonI suppose there are two ways to approach this mega-musical: either as a paid-up Tolkien aficionado or as a wide-eyed newcomer. Having dipped only briefly int…

SOURCE: The Guardian at 11:42am on October 23, 2015

Treasure review " Fiddler on the Roof with a satirical bite by Michael Billington

Finborough theatre, LondonThis inventive production of a Yiddish classic takes potshots at the corrupting power of moneyThis astonishing theatre's latest discovery is a Yiddish classic by Da…

SOURCE: The Guardian at 8:22am on October 23, 2015

Plaques and Tangles review " Alzheimer's play appeals more to head than heart by Michael Billington

Royal Court Theatre Upstairs, London Nicola Wilson's debut drama gives affecting snapshots of one woman at different points in her mental decline, but too many facts stifle the emotional imp…

SOURCE: The Guardian at 7:40am on October 22, 2015

N is for national theatres by Michael Billington

The dream of a national theatre has happily come to pass, not only in England but in Wales and Scotland, too. But is regional theatre under threat as a result?I was very struck by something …

SOURCE: The Guardian at 9:26pm on October 18, 2015

Young Chekhov: The Birth of a Genius review " masterly depiction of drama's evolution by Michael Billington

Chichester Festival theatreSeeing Platonov, Ivanov and The Seagull in a single day unforgettably charts Chekhov's progress from farce to melodrama to a new symphonic realism Sir David Hare h…

SOURCE: The Guardian at 11:22am on October 18, 2015

French Without Tears review " lively revival of Rattigan's sexual battleground by Michael Billington

Orange Tree, RichmondPaul Miller's impressively cast production throws more light on nervous British masculinity than even the playwright may have intendedTerence Rattigan's 1936 hit has sur…

SOURCE: The Guardian at 9:16am on October 18, 2015

A Wolf in Snakeskin Shoes review " high-energy, hot-gospelling Molière by Michael Billington

Tricycle, London Tartuffe transplanted to the deep south is full of jet-fuelled prose and raucous hilarity but the original play's target " blind faith " emerges unscathedHaving relocated a …

SOURCE: The Guardian at 9:26am on October 15, 2015

Anita and Me review " Meera Syal's culture-clash comedy touches familiar nerves by Michael Billington

Birmingham Rep theatreTanika Gupta's lively adaptation, with music by Ben and Max Ringham, retains the novel's resonance and zestMeera Syal is, in some ways, the victim of her own success. H…

SOURCE: The Guardian at 8:08am on October 14, 2015

The First Man review " the ego cometh in Eugene O'Neill's early drama by Michael Billington

Jermyn Street theatre, LondonThe American playwright's 1922 drama, given its UK premiere, suffers from its sentimentality and characters driven by rage and rancourI've often quoted a dictum …

SOURCE: The Guardian at 8:54am on October 12, 2015

Measure for Measure review " sex, decay and an astonishing Romola Garai by Michael Billington

Young Vic, LondonStrong performances power Joe Hill-Gibbins' inventive production as it brilliantly captures the eternal conflict between flesh and spiritThere are no half measures in Joe Hi…

SOURCE: The Guardian at 6:20am on October 9, 2015

Teddy Ferrara review " fierce tale of homophobia on campus by Michael Billington

Donmar Warehouse, LondonDirected with flair by Dominic Cooke, Christopher Shinn's polemical play demolishes the myth that we live in a cosy world of sexual toleranceChristopher Shinn's fierc…

SOURCE: The Guardian at 9:22am on October 8, 2015

Kenneth Branagh: can he succeed where Olivier failed? by Michael Billington

He has always been compared to Laurence Olivier. But, as his star-laden season opens at the Garrick, can he now outdo him as actor-manager " and save the West End? One thing I know about Ken…

SOURCE: The Guardian at 3:04am on October 8, 2015

The Father review " ingenious Alzheimer's drama with echoes of Lear by Michael Billington

Wyndham's theatre, LondonKenneth Cranham and Claire Skinner are superb in Florian Zeller's moving play that takes you inside the mind of a man with dementiaFlorian Zeller's play has enjoyed …

SOURCE: The Guardian at 7:57am on October 6, 2015

The Wars of the Roses review " Trevor Nunn's courageous remount of cycle is thrilling theatre by Michael Billington

Rose theatre, KingstonMemories of Peter Hall and John Barton's original 1963 conflation are banished in refashioned plays for our own divided ageI am old and lucky enough to have seen the or…

SOURCE: The Guardian at 11:17am on October 4, 2015

Medea review " Rupert Goold directs a ferocious Kate Fleetwood by Michael Billington

Almeida, London Rachel Cusk's updated version of Euripides's tragedy is wild and witty but dilutes the tragedy by eschewing the violenceReimagining the classics is fine. There is, however, a…

SOURCE: The Guardian at 8:25am on October 2, 2015

Brian Friel: Ireland's great theatrical explorer by Michael Billington

Friel, whose death has been announced, was never a writer to be pigeonholed. He leaves a vast variety of personal and political plays, as well as beautiful translationsBrian Friel, who has d…

SOURCE: The Guardian at 7:19am on October 2, 2015

The Odyssey: Missing Presumed Dead review " Simon Armitage plunders Homer for political drama by Michael Billington

Everyman, LiverpoolThis timely adaptation has a Europhobic prime minister, Odysseus as a politician turned migrant " and a dead pig jokeLast year, Simon Armitage boldly gave us a version of …

SOURCE: The Guardian at 6:07am on October 1, 2015

Horniman's Choice review " luminous quartet of Manchester plays by Michael Billington

Finborough, LondonFrom a soldier grappling with shellshock to a study of miners' wives, this selection of northern dramas brings the early 20th century aliveBetween 1908 and 1917, Annie Horn…

SOURCE: The Guardian at 8:16am on September 30, 2015

Tipping the Velvet review " Sarah Waters' novel staged with wit and style by Michael Billington

Lyric Hammersmith, LondonPerformed by a fine ensemble, this adaptation of the picaresque novel is a good night out and a rousing tribute to feminist principlesLaura Wade's adaptation of Sara…

SOURCE: The Guardian at 6:14am on September 29, 2015

Eventide review " new play captures the still, sad music of humanity by Michael Billington

Arcola, LondonBarney Norris's poetic, character-driven portrait of a changing Hampshire seizes your interest and never lets goAll good dramatists carve out their own territory. After an awar…

SOURCE: The Guardian at 10:21am on September 28, 2015

Hecuba review " a radically different take on a familiar story by Michael Billington

The Swan, Stratford-upon-AvonMarina Carr showcases her fascination with outsiders in this emotional and intelligent take on a classic " with contradictory consequencesMarina Carr, in plays s…

SOURCE: The Guardian at 8:38am on September 25, 2015

The Cocktail Party review " TS Eliot's personal demons laid bare by Michael Billington

Print Room at the Coronet, LondonEliot's baroque drawing-room drama presents a couple's faltering relationship as a spiritual trial, echoing his own troubled marriageOnce a popular West End …

SOURCE: The Guardian at 9:53am on September 24, 2015

Henry V review " Alex Hassell catches the conscience of the king by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonGregory Doran's imaginative production, in which the action is played out on a largely bare stage, allows the words to weave their spellShakespe…

SOURCE: The Guardian at 7:03am on September 23, 2015
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