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240 stories by "Michael Schulman"

The Women of "Hamilton" by Michael Schulman

Lin-Manuel Miranda's rightfully lauded hip-hop musical "Hamilton," which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fight, wr…

SOURCE: The New Yorker Subscription at 6:45am on August 7, 2015

The Best Broadway Musical That Doesn't Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was "Smash." It's been two years since NBC cancelled the series, a musical d…

SOURCE: The New Yorker Subscription at 7:22pm on June 10, 2015

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 3:46pm on June 8, 2015

The Boards: Playoff by Michael Schulman

Broadway and football: it was only a matter of time before someone put the two together.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

The Tony Nominations: Kings, Queens, and Lesbian Cartoonists by Michael Schulman

It's a bad day to be Harvey Weinstein's assistant. That is, a particularly bad day. The Pooh-Bah of Oscar campaigning cannonballed into Broadway this year, as the lead producer of "Finding N…

SOURCE: The New Yorker Subscription at 2:43pm on April 28, 2015

How to Write for the Rockettes by Michael Schulman

The playwright Joshua Harmon is thirty-one years old and currently in his third year at Juilliard. He lives on the Upper West Side, because Wendy Wasserstein lived there, too. The first play…

SOURCE: The New Yorker Subscription at 9:30am on March 27, 2015

Spring Preview by Michael Schulman

Broadway is an old dog, slow to learn new tricks. But every now and then it aces one of its old tricks. The audiences who flocked to Lincoln Center's 2008 revival of "South Pacific" won't so…

SOURCE: The New Yorker Subscription at 12:00am on February 27, 2015

Why "Into the Woods" Matters by Michael Schulman

For the past year or so, a certain segment of the population"musical-theatre fans who were children in the eighties and thought they were too good for Andrew Lloyd Webber"has experienced a p…

SOURCE: The New Yorker Subscription at 12:00am on December 24, 2014

For Alan Cumming, Life Isn't Always a Cabaret by Michael Schulman

As revealed in a new memoir, "Not My Father's Son," Mr. Cumming lived for years under the long shadow of his father " or, at least, the man he thought was his father.

SOURCE: The New York Times Subscription at 7:10pm on October 3, 2014

Michael Schulman: Amanda Burden sees herself in “If/Then.” by Michael Schulman

One night this spring, Amanda Burden went to see the new Broadway musical “If/Then.” She had recently returned from a “psychic healing” retreat in Arizona, having spe…

SOURCE: The New Yorker Subscription at 12:00am on June 23, 2014

The 2014 Tony Awards Go All the Way by Michael Schulman

At their best, the Tony Awards dance like nobody’s watching.

SOURCE: The New Yorker Subscription at 11:05am on June 9, 2014

Michael Schulman: The cast of “The Cripple of Inishmaan” break some eggs. by Michael Schulman

Among the trends on Broadway this season: musicals about sixties girl rockers (Janis Joplin, Carole King); bravura performances by men in drag (Neil Patrick Harris, Mark Rylance); and raw eg…

SOURCE: The New Yorker Subscription at 12:00am on June 2, 2014

Michael Schulman: Lily Rabe in “Much Ado About Nothing,” at the Delacorte. by Michael Schulman

Shakespeare’s women, Harold Bloom has observed, are always marrying down. Is Orlando truly worthy of Rosalind, with her panoptic wit? How does Viola wind up with that ninny Orsino? Per…

SOURCE: The New Yorker Subscription at 12:00am on May 30, 2014

Scene City: LaTanya Richardson Jackson, Nominated for a Tony Award for 'A Raisin in the Sun,' is Honored by Michael Schulman

LaTanya Richardson Jackson is honored by a roomful of star-powered women.

SOURCE: The New York Times Subscription at 5:23pm on May 28, 2014

Michael Schulman: Trampolining with Toni Collette. by Michael Schulman

Two aspiring trampoliners arrived the other day at Streb Lab for Action Mechanics (SLAM), a fitness and dance studio in Williamsburg, described by its founder, Elizabeth Streb, as a “b…

SOURCE: The New Yorker Subscription at 12:00am on April 14, 2014

Watching the Obamas Watch “A Raisin in the Sun” by Michael Schulman

It’s not often that a single member of the audience commands more attention than the action onstage.

SOURCE: The New Yorker Subscription at 1:16pm on April 13, 2014

Who’s Afraid of Elaine Stritch? by Michael Schulman

The new documentary “Elaine Stritch: Shoot Me” shows its eighty-nine-year-old subject’s ferocious dual nature.

SOURCE: The New Yorker Subscription at 1:31pm on February 21, 2014

Michael Schulman: Backstage with Mark Rylance and Claire van Kampen. by Michael Schulman

Somewhere in the bowels of the Belasco Theatre, long considered to be haunted by its namesake, the actor Mark Rylance has installed a Ping-Pong table. “I like to encourage a playful pl…

SOURCE: The New Yorker Subscription at 12:00am on November 11, 2013

Watching Sondheim Watch “Fun Home” by Michael Schulman

I sat directly behind Stephen Sondheim at a performance of “Fun Home,” a new musical at the Public.

SOURCE: The New Yorker Subscription at 12:39pm on October 31, 2013

My Big Sister, Janis Joplin by Michael Schulman

Since Janis Joplin died, in the fall of 1970, her younger siblings, Laura and Michael Joplin, have jointly watched over her estate.

SOURCE: The New Yorker Subscription at 2:08pm on October 29, 2013

Michael Schulman: An opera about Anna Nicole Smith. by Michael Schulman

By the time Vickie Lynn Hogan was twenty-six, she had made a name for herself, having modelled for Guess jeans and appeared on the cover of Playboy. The name was Anna Nicole Smith. A native …

SOURCE: The New Yorker Subscription at 12:00am on September 2, 2013

Dzhokhar Tsarnaev and Roxie Hart by Michael Schulman

“Chicago” captures something canny about the metabolism of fame and about the symbiosis between criminals and the hankering public.

SOURCE: The New Yorker Subscription at 2:55pm on July 19, 2013

The Tony Awards Get Kinky by Michael Schulman

The sixty-seventh annual Antoinette Perry Awards were handed out last night, and they began with Neil Patrick Harris dissing Shia LaBeouf. (“I wouldn’t be here if someone else ha…

SOURCE: The New Yorker Subscription at 10:13am on June 10, 2013

Tony Races to Watch by Michael Schulman

Sunlight gleams over the savannah. The cicadas are descending on “Mamma Mia.” June is busting out all over, and, as Leslie Uggams once sang, the lidda bidda drigdes and the hucka…

SOURCE: The New Yorker Subscription at 12:22pm on June 7, 2013

Farewell, “Smash” by Michael Schulman

If most of its promises ended up, well, smashed, the show’s two seasons still offered a Minnelli of delights (it’s like a flock of seagulls) for theatre lovers, who regarded it w…

SOURCE: The New Yorker Subscription at 4:39pm on May 24, 2013
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